ST. LOUIS (Diya TV) — Authorities have taken a significant step forward in the investigation of the tragic killing of Amarnath Ghosh, a beloved dancer and graduate student at Washington University. Glenn Bailey, 46, faces charges of first-degree murder and armed criminal action in connection with Ghosh’s death.
Surveillance footage captured Bailey’s vehicle trailing Ghosh along Delmar boulevard shortly before the shooting on February 27th. The police report indicates that Bailey confessed to selling drugs in the area and being present at the time of the incident.
Ghosh, 34, originally from Suri, in the Indian state of West Bengal, was a Master’s of Fine Arts candidate in dance in the Performing Arts Department at Washington University. An accomplished dancer, vocalist, and choreographer, Ghosh’s passion for dance was unparalleled.
Born in Suri, Ghosh began his journey in dance at a young age, learning Hindustani vocals and training in various classical dance styles. His performances resonated deeply with audiences both in India and the United States, earning him numerous accolades and awards.
In St. Louis, Ghosh made significant contributions to the local dance community, performing with Asha Prem’s Dances of India and working with youth and adults at the Consuming Kinetics Dance Company. His generosity of spirit and love for dance inspired many in the city.
Ghosh’s untimely death has left a profound void in both the dance world and the hearts of those who knew him. His final project, a six-part dance film titled “Seasons: Colors of My Life: A Take on Tagore’s Compositions,” will be screened posthumously at WashU’s Edison Theatre.
As the legal proceedings unfold, the community continues to mourn the loss of a vibrant talent. The arrest of Bailey provides a glimmer of hope for justice, but the memory of Amarnath Ghosh’s radiant spirit will forever endure.
Friends and colleagues fondly remember Ghosh for his unwavering dedication to his art and his infectious enthusiasm for life. Elinor Harrison, a lecturer in dance at Washington University, recalls Ghosh’s unparalleled expression in dance, describing him as “magnificent” and “enrapturing.”
Ghosh’s passion extended beyond dance; he was also deeply engaged in Hindustani music and had a special affinity for the works of Bengali poet Rabindranath Tagore. His performances, whether in dance or vocal traditions, were marked by a profound sense of emotion and artistry.
The impact of Ghosh’s work was not confined to the stage; he was also a cherished mentor and friend to many. Deepangsu Chatterjee, a close friend, remembers Ghosh as a broad-minded individual who effortlessly bridged the worlds of art and science.
As the St. Louis community grapples with the loss of one of its brightest talents, Ghosh’s legacy serves as a reminder of the transformative power of art and the enduring spirit of those who dedicate their lives to its pursuit.
