LOS ANGELES (Diya TV) — The Indian Film Festival of Los Angeles is only two weeks away and we have some recommendations. Film festivals are a wonderful way to experience cinema but having a plan in advance can save you time and put you at ease. Mark your calendars for Opening night red carpet on April 11th & closing night on 14th, as those will be ‘must attend’ nights.
The opening night film, Anhadhun, featuring veteran Bollywood actress Tabu, won 5 awards at the Filmfare Awards: Best Film (Critics), Best Actor in a Leading Role (Critics), Best Editing, Best Screenplay and Best Background Score. And returning to tradition, IFFLA will honor the actress with a Tribute. Get there early for the on-stage conversation with Tabu prior to the screening and a stay back for Q&A following with Tabu and the director Sriram Raghavan.
The closing night, red carpet and screening of The Odds will be held at The Ahrya Fine Arts Theatre in Beverly Hills, preceded by the awards ceremony and followed by a Q&A with director and cast.
Block out Saturday afternoon, to truly discover something new – an absolute gem each year at IFFLA is the Shorts Program and this year is no different. Followed by a TV panel – Breaking in Brown featuring Kiran Deol of Sunnyside, Nik Dodani of Murphy Brown & Atypical & Meera Menon of The Walking Dead, GLOW, The Magicians, to name a few.
We asked Festival Founder, Christina Marouda (CM) & Director of Programming, Mike Dougherty (MD) to give us the inside scoop
KL: What are the festival hightlights? Any films you are personally most excited about?
MD: Every film we selected is special, and will make for a wonderful theatrical experience. If I had to highlight some events that will be once-in-a-lifetime opportunities, I’d say audiences should not miss our TV panel, which will assemble some of the most successful South Asian talent working in the American television industry to discuss their careers and offer guidance to young professionals. Also, our screening of Anand Patwardhan’s award-winning documentary REASON will have Anand join us for a Q&A after the film — which deals with the most urgent political issues facing India. Having Anand with us to speak about this film while the election cycle in India begins will be incredible. Also, I’m extremely excited to world premiere Megha Ramaswamy’s THE ODDS on closing night. We’ve been huge fans of her short form work and can’t wait to have her at IFFLA, along with her cast that includes Abhay Deol and Priyanka Bose.
KL: With the advent of digital streaming, how do you as a festival stay ahead of the curve and still make the festival experience exciting for folks to discover new films?
MD: It’s definitely gotten more competitive as films we have our eye on get snapped up quickly by Netflix or Amazon and put online before our festival. But there are still filmmakers that want to have the theatrical experience with an audience, and plenty of them send their films our way. We just need to be sure the films we select offer a broad, diverse view of all that Indian filmmaking has to offer.
KL: Tell us about the Shorts program this year?
MD: We’ve got ten shorts across two shorts programs, all from emerging voices with unique sensibilities and masterful control of their filmmaking. Three of the films are hilarious comedies, four are world premieres, one is from a local Los Angeles filmmaker, six of the ten have female directors and you’ll even see some familiar faces like Nawazuddin Siddiqui and Vipin Sharma in the casts. The shorts programs are where you’ll see the early, exciting work from the huge names of tomorrow. We played Megha Ramamswamy’s short film “Bunny” a few years back, and now she’s our closing night gala!
KL: You’ve been with IFFLA for a couple of years now, how do you feel about the direction the festival has taken and where would you like to take it in the future?
MD: I’m extremely proud of how influential IFFLA has become and how the independent filmmaking community has embraced us as a place where they can come together to appreciate their current work and collaborate on future projects. An example of this: this year’s film CAT STICKS features three actors – Tanmay Dhanania, Saurabh Saraswat and Sumeet Thakur — who first met each other at a gathering IFFLA put together in Mumbai and began discussing the project soon after. I didn’t know this until after we invited it, but remembering the event now, it makes perfect sense!
In the future, I definitely would love to reflect the great work that is starting to happen in the television and digital spaces. Series like MADE IN HEAVEN and DELHI CRIME are using some extremely talented filmmakers — including IFFLA alum like Richie Mehta and Alankrita Shrivastava — to tell their stories, and I think that deserves highlighting at our festival.
KL: IFFLA typically hasn’t done tributes, what inspired the tribute to Tabu this year?
CM: We have done tributes to Naseeruddin Shah, Deepti Naval, Kirron Kher and Ismail Merchant. We took a break as we had planned a couple of tributes that were canceled last minute due to some personal emergencies of the honorees. We have been discussing Tabu for years. This felt like the right moment to do so. Her body of work is more diverse than ever, and in Andhadhun she delivers a superb performance. Plus it is a film we loved by a director whose film Johnny Gaddaar we screened a decade ago. Sriram Raghavan is a filmmaker we admire and he is able to join us along with his producer Sanjay Routray. This is how it all came together.
KL: What are you looking forward to the most at this year’s fest?
CM: I love every single aspect of the festival. From the opening night and the on stage discussion with Tabu, to our shorts programs that always manage to discover new talent, to our exciting TV Panel, to the world premiere of our closing night presentation of The Odds with the cast in attendance.
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Dive into the IFFLA’s virtual fest as you celebrate the 4th
LOS ANGELES (Diya TV) — In the digital age of streaming services where you can play every movie ever made, festivals too are changing. While in person festivals are going to be a while away, Virtual Film Festivals are booming. IFFLA Over the Years is the festival’s response to the ongoing uncertainty in the film festival world. To that end, the previously announced 2020 lineup will be moved to 2021 so that filmmakers and audiences can join together and share the festival experience in person.
This year’s showcase is a special one, IFFLA Over The Years: 17 days celebrating 17 years of Indian cinema, is way of looking back all of those that have passed through the hallowed grounds. IFFLA brings you the best of yesteryear, with gems like Anurag Kashyap’s legendary godfather-esque Gangs of Wasseypur, the late Irrfan Khans shakespearean classic Maqbool, Lena Khan’s fresh immigrant tale The Tiger Hunter. The bulking roster ranges from narrative features, documentaries, to short films like Neha RT’s hilarious satire The Shailas, the oscar-nominated KUSH, the infuriating Bebaak. With 17 days to fly through the virtual festival will span form June 19th to July 5th leaving you just enough time to experience every joy, ache, bellowing laugh, and uncle-inducing cringe.
“We are beyond thrilled to be presenting this online showcase of alumni films,” said Christina Marouda, IFFLA’s founder. “Traveling through 17 years of programming has allowed us to reconnect with so many of our alumni with whom we share fond memories. We are excited with this opportunity to collaborate with them to offer new audiences worldwide the chance to discover some of the most visionary voices of Indian independent cinema in recent years. We also hope recent IFFLA attendees have a chance to catch up with films from our first decade, and early attendees who could not join us in recent years are able to discover some of the newer gems we’ve presented. There is literally a film for everyone’s appetite.”
“A Female Lens” features films made by and/or centering on women such as Karishma Dev Dube’s Devi (Goddess), starring Priyanka Bose (Lion); “This Is Not Fiction” presents award-winning documentaries including Faiza Ahmad Khan‘s hilarious Supermen of Malegaon; “Stories of Youth” highlights children and adolescence in films such as Rima Das’ festival favorite Village Rockstars, which was India’s Oscar entry for 2019, and Shubhashish Bhutiani‘s Oscar-shortlisted short film Kush. “Diaspora Windows” shares stories of Indian characters living outside of India with highlights including Lena Khan’s The Tiger Hunter and Ruthy Pribar’s The Caregiver.
Over 70 short films are included in “Keeping it Short” with Neha RT‘s uproarious satire The Shaila(s) and Jennifer Rosen‘s piercing Laksh, making their online premiere with this virtual showcase.
Finally, Richie Mehta‘s India In A Day, Shonali Bose‘s Amu, Devashish Makhija‘s Taandav, Tanuj Chopra’s Pia, and Shirley Abraham and Amit Madheshiya’s The Hour of Lynching are new additions to IFFLA’s programming by alumni.
Beat edging towards insanity by filling your days with more stories of hardship, of bliss, more tales of life just beyond the door, of lives just next door, and if they can get through it, so can you.
With 2020 being such an unprecedented year it’s easy to get caught up in the turbulence and feel overwhelmed. But we’ll get through this like we always have. We’ve been through worse, our ancestors used to huddle together in the dark over bonfires in a fang and spear infested world speaking the first stories ever told. Wondrous adventures filled with heroes, villians, grim horrors, stunning beauty and everything in-between. These stories that brought us together, to feel safe around one another, these stories around the bonfire have transformed to become the projector and screens of today. A good story is what gets us through, inspiring us, enchanting us with dreams for tomorrow. So, feeling cooped up edging towards cabin fever?
We’re all right there with you so cancel your next Netflix binge there’s a long weekend of new movies ahead.
An immigrant community’s gratitude, “serve where we live”
Founder of HC4A wanted to give back to where he lives: Austin. Hundreds of Indian Americans joined to open chapters across the US and raise over a million dollars for the cause.
AUSTIN, Texas (Diya TV) — Indian Americans are the most educated and most affluent immigrant community in the United States. A recent survey conducted by Dalberg & Indiaspora shows that Indian Americans have the potential to give over 3 billion dollars annually. Harish Kotecha, founder of HC4A (Hindu Charities for America), came here with his family in 1972 when the dictator of Uganda gave all Indians a notice of 90 days to leave the country. His many successes in this country motivated him to build an organization that encourages philanthropy in the Indian American community with the motto ‘serve where we live.’
Organizations such as Akshaya Patra, Pratham USA, have raised millions of dollars over years within the US to to support causes in India and make a real difference. Stretching the dollar and making an enormous impact in the lives of millions of children in India. And even though Kotecha is well aware that a dollar remitted to India can create a big difference to a developing economy versus the US, he believes its importat to give back to the community we live in.
“There is poverty here too. I thought it would be so great if the Indian community worked as one to serve those in need in the US,” says Kotecha. Hundreds of Indian Americans have been inspired to raise over a million dollars since the inception of HC4A in 2010. This is a small amount compared to nearly a half million raised in one night at the annual gala for the organizations funding education in India.
The HC4A mission is to ‘bridge income disparities through education.’ Two salient events raise funds for these endeavors: the HC4A Gala and Bollywood Meets Borscht Belt (BMBB). The Jewish community helps organize the BMBB event; leading Bollywood dance schools in Austin like Monsoon Dance and Agni lend the glitz and glamor to a high spirited night.
Schoolsupplies, backpack programs, and scholarships form the pillars of education-based giving for the volunteers at HC4A.
According to Dalberg, Education ranked at 61% as a passion cause for Indian American donors, followed by healthcare & Gender equality. “The Indian community is very successful, and we all came for one purpose, education, that was our driving factor. We know the struggle, so we are ready to support the cause for education,” says Vaishali Tendolkar, Secretary of HC4A.
Kotecha says that several Muslims and Jews fundraise and help organize events for HC4A. For him, the success of HC4A is the fact that people from all faiths and backgrounds come together to help the community they live in.
In 2017, Harish Kotecha was honored with the President’s “Lifetime Achievement Award.” As this model worked in Austin, Kotecha and his team worked on expanding HC4A’s presence to Southern California, Houston, and Dallas.
Nidhi Trehan, a sociologist, and a chapter leader for HC4A in Houston says, “If we reduce inequality here in the US, we will be working to reduce it globally.”
“HC4A is asking us, that is Indian Americans, to reach out to other communities and give them a helping hand. We actually owe it to the pioneers that fought for civil rights in this country, to be in the position of privilege we are in today,” she added. Led by Sashi Konidena, President of the Houston chapter raised over $12,000 this past year.
The Southern California chapter began in late 2019 and has already presented $5000 to the Los Angeles Community College District (LACCD). Close to 50% of the students enrolled in the LACCD fall below the poverty line.
Giving back is a metric of success for any individual or community, and it’s a great reinforcement of an immigrant population’s gratitude.
Karthik Pichai, a serial entrepreneur, helped start the Dallas chapter in 2019 and has already raised $10,000 for Dallas Community College. He is rallying successful entrepreneurs not just to give, but also potentially train the students in their tech companies. “I want to bring together affluent entrepreneurs with shared values. Along with our Indian American kids, we can set an example saying that we care about our local community and want to give back,” he says.
Teri Benge, who was pursuing a degree in hospitality management at ACC, while keeping a full-time job, writes in her thank you note to HC4A that, “I will always remember this gesture of kindness and will one day, pay this forward by helping students achieve their goals, just as you have helped me.”
As HC4A volunteers celebrate 10 years of relentless hard work, at the Asian American Resource Center, Austin, none are ready to just sit on their laurels. They laugh and cheer on as they see a 2030 vision board of Shahrukh Khan and Jennifer Lopez coming for the Gala night celebrations and a fundraising goal of a 100 million dollars.
2019 was the biggest year for HC4A as they were successful in establishing an irrevocable endowment fund for scholarships. This year about $150,000 in fellowships will go to students of various ethnic communities. To Kotecha its important that the work continue beyond him, “If us go away, the charity goes away, the fund will still be there. Legacy of the charity and donors will remain,”
OPINION: 11 things you might have missed about this years OSCARS
I’ve watched darned near every one of The Academy Awards since the early 1980s. Here goes.
1. BROADCAST: Compared to most Oscars broadcasts this millennium, this one was “pretty, pretty, pretty, pretty good.” Of course, it runs long. By the time Billie Eilish finished singing “Yesterday,” it was practically yesterday when the ceremony began. Her rendition of the world’s most covered song ever was decent. It’s hard for that song not to sound good. And by reaching back to 1965, she more than made up for not knowing who Van Halen is… something far more understandable than it seems at first glance. (Subject of a future post.) Pretty cool that Tom Hanks announced the new Academy Museum at Fairfax and Wilshire, though that intersection rings ominously to us hip-hop heads. #RestInPeaceToMyMFBiggieSmalls
2. DIVERSITY: Perhaps it cannot be stated enough that when society swings too far one way, the response to the shift isn’t great, either. Not to kick things off with politics (since movie stars never include that in their speeches) but one of the most insightful lines I read in the last year is that Donald J. Trump has made everything worse. The Republican Party is in bad shape, but so are the Democrats, since they’ve collectively chosen to veer so far left to counterbalance the swing to the right. Similarly, when the Academy nominates almost all white people, Oscar Night itself feels it must overcompensate by giving people non-award stage time. It’s good that there’s diversity up there, but then you end up with weird, inane choices like Janelle Monáe’s opening number. I’ve long enjoyed her acting and her singing; I’ve heard first-hand that she’s incredible live and I can hardly take my eyes off of her because she’s so beautiful. But showcasing a relatively obscure film… dressing people up like Jokers and as soldiers… awkwardly putting (mostly white) people on the spot to sing along… this was just strange. Let’s showcase women of color for their talents onscreen so we don’t have to put us all in this uncomfortable position, including the anxiety I’ll now feel for critiquing (not even criticizing) a WoC.
3. GLUE: Bring back a host. Even if one host did the first half and another the second or two people co-host, having that anchor is key. Sure, they largely disappear after their opening monologues, but they’re the through-line. This procession of one person’s introducing the next who sometimes even introduces a NEXT made for a weird chain of events. Beyond the functional value, there’s a strong case to be made for jokes. We can evaluate them immediately. I think a lot of us had no idea what to make of Monáe’s opening. Most people just go, “OK, I guess that was good.” But with comedy, at least you know where you stand.
4. NOSTALGIA: The longevity of stars who made their debuts as far back as the ’80s is incredible. Brad Pitt’s speech was a nice romp down Memory Lane to remind us of how lucky we are to have these people in our lives. Or at least on our screens. I don’t feel the same about most actors who’ve debuted post-2000. Although I loved Marilyn Manson as lead actor in Marriage Story.
5. SINGING, PART I: I looked up whether this was the worst year for Best Original Song. Maybe there was an exception in there, but collectively, they were atrocious. Even Elton John’s was so boring. And don’t get me started on Randy Newman. Once upon a time, he served a purpose. His voice is etched into my memory from many eighties movies but this man did not need to continue lulling us to sleep in yet another decade.
6. SINGING, PART II: The Oscars and Emmys face a unique challenge: they’re rewarding recorded acting, whereas the Tonys and the Grammys reward live performance. You can’t exactly make actors go up and act out a scene… though actually, I would like to see that. So, Elton and Randy notwithstanding, keep the live performances AND keep at least two montages: In Memoriam and some kind of themed glance-back. We movie-goers are suckers for nostalgia and investing a few minutes in this provides a substantial emotional ROI. (Remember when I talked about nostalgia…?)
7. SHADY AFTERMATH: Eminem killed it. I found all of the snarky online dialogue infuriating. Indeed, the fast news cycle has ruined things. You used to read Oscars reviews all week, but if you don’t put out your thoughts within 24 hours, the world has moved on. There may be some upsides to that (though the lack of mentions of Australia show another downside), but one clear negative is that people go for the quick kill instead of even a shred of circumspection. It took me a long time to get into Eminem — I loathed him when he first debuted in 1999 — but then he quickly became one of my favorite all-time musicians. I’d still say JAY-Z is the greatest (even if the best is a Biggie/2Pac tossup) but Eminem is a close second. #TossItUp So, given that the man has more fame and success than most of the actors in that hall, yes, I think he’s the kind of evergreen personality we’re lucky to see anywhere, anytime… even if it is random. But it’s not random. He dropped a new album last week and became the sixth artist in history to debut 10 albums at #1. Dude’s a legend — and his performance was arguably the highlight of the evening. If you read the reviews, the Fake News would have you believe he bombed. In fact, most people of all ages, races, and genders were bobbing their heads and many were singing along to “Lose Yourself,” arguably the song of the 2000s. Again, it seems easy to throw shade at a straight white man… why is HE here? Well, why the hell was Blac Chyna there? Sure, she was on the Red Carpet and not onstage, but all she did was marry and divorce a Kardashian. The reaction to that? “You go, girl. Get it.” No. Divorcees of any gender shouldn’t be punished but that doesn’t mean we need to reward it, either. Sure, Eminem used the Other F-Word far too much early in his career, but he reconciled with Elton John (whose song from last night I do NOT want to hear 18 years from now). Joaquin Phoenix hit the nail on the head when he said that we’re at our best not when we cancel each other but when we help each other grow. Like how Janelle Monáe makes me grow.
8. PAIR: “I’m seeing Red.” — Rudolph. Give it up for Maya Rudolph and Kristen Wiig. Not sure why Wiig’s comedy career hasn’t continued to skyrocket. Bridesmaids is arguably the last great comedic movie; she and Rudolph both killed it in that as well as last night. Granted, they’ve worked together much more than Rock & Martin, but they had comedic chemistry in all the ways the men didn’t.
9. LAMESAUCE: Shame on whoever’s decision it was to include the line, “All women are superheroes!” I turned to Harsha, winced, and said, “Dude, that is SO patronizing.” Lo and behold, I read this online: “… immediately after making Brie Larson, Sigourney Weaver, and Gal Gadot stand onstage and say things like, ‘All women are superheroes!’ All women should not be forced to participate in pandering, infantilizing bullish!t!” I don’t know who forced whom and don’t know if it’s infantilizing, but it’s pandering… and patronizing… and demeaning. And it’s not true. No group of people is a bunch of superheroes. Not women, not men, not straight, not gay, not trans, not cis, not whites, not Indians, not Eskimos. Well, except the Justice League. And the people next to me on the plane who sit for six hours without getting up to go to the bathroom. WHO ARE THESE PEOPLE? They’re superheroes. Offer up something empowering like, “All women who go out there everyday and work and try to make this world a better place — whether you’re a bus driver or a Hollywood actor — even when you’re not being recognized and you have to work twice as hard as a man… you’re superheroes and we see you.” Maybe I didn’t nail the wording, and in typical Rajiv fashion, it’s longer, but at least make sure what you’re saying is true.
10. BROWN TOWN: South Asians performances weren’t featured onscreen, either, but it was dope to see Utkarsh Ambudkar’s freestyling. Dude once took a dump at my house. For more on that and more of his freestyling (including cutting me up pretty well), check out WatchRajiv.com. Fitting coincidence that Mindy Kaling handed out the award for Hair Love. Moments earlier, Chris Rock had appeared to “not-host”; it was his documentary, Good Hair, that told the world most black women’s extensions come from India. Dope to see some Ohio representation, too, with American Factory. OH-!
11. ENDING: Congratulations to Parasite! Loved 1917 (thought it would win) but Bong Joon-ho is this year’s Roberto Benigni. And that Asian auntie… my wife: “This is like having your Mom onstage.” What a way for the Oscars to remain relevant, address #OscarsSoWhite, and surprise us all… 92 years in. I heard Koreatown was going off last night… I can’t even imagine the parking situation. (No, that’s not an Asian joke… it’s a local LA joke.) In conclusion, we had no host but we did have a Parasite. A little biology humor for you.
And… just as I was about to hit Post, a news notification told me this year’s ratings fell to a record low. “That’s Life.” — Joker
Rajiv Satyal is a comedian and claims to be the world’s best movie quoter. He resides in Los Angeles.
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