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Assamese language film Village Rockstars takes the Best Feature prize at 16th annual IFFLA

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LOS ANGELES (Diya TV) — The Indian Film Festival of Los Angeles concluded their 16th year Sunday, April 15 with nostalgia, thrilling mystery and light hearted optimism. The final day of the fest featured a tribute to the late Sridevi, with a special screening of Chandni, followed by the mystery thriller The Ashram which was preceded by the short Fifteen Years Later.

The closing night film was an Assamese language, coming of age story, Village Rockstars.

Before the final film, the awards ceremony honored the filmmakers for their achievements. The awards were decided by a jury as well as audience votes. When accepting the award for Audience Choice Award for Best Documentary (Lovesick), Priya Giri Desai said the best thing about IFFLA is the audience. During the week, the filmmakers in attendance participated in Q&As after their films and were blown away be the insightful and enthusiastic questions and comments from the audience. IFFLA is an intimate festival where the audience can easily approach the filmmakers and talk with them about their films. It really provides an inclusive atmosphere that celebrates the love of cinema.

Another thing that stood out to the filmmakers and festival attendees were the shorts. When asked what films they liked the most, many expressed how impressed they were by the shorts program this year. There were two shorts programs containing multiple films as well as a few features preceded by a short film. The fact that the shorts were so impactful in their short duration is also what made them noteworthy. At the start of the awards ceremony, the IFFLA programming team mentioned how they were blown away by the thrilling voices of the short films.

The Audience Choice Award: Best Short went to An Essay of the Rain directed by Nagraj Manjule. The Grand Jury Prize for Best Short was presented to The Caregiver, directed by Ruthy Pribar. Regarding the Grand Jury Prize for Best Short, the jury awarded, “a film that we loved for its elegant representation of the nuances between compassion and survival, and for its understated yet decisive storytelling.”

A special jury mention was made for Counterfeit Kunkoo, which the jury called “an incredible short film about apartment hunting in Mumbai that not only manages to be well-paced, gripping and bold but also a heart-wrenching perspective into gender inequality in metropolitan India.”

The audiences at this year’s IFFLA chose Take Off directed by Mahesh Narayanan as their favorite narrative feature film of the festival. Lovesick, directed by Priya Giri Desai and Ann S. Kim took the Audience Award for Best Documentary.

A special jury mention was made for Sushama Deshpande’s performance in AJJI. The jury stated: “Taking on difficult characters is always a challenge for an actor. It takes courage to humanize and portray a role that breaks the stereotypes. This actress demonstrated undeniable talent and commitment to deliver an authentic and grounded performance.”

Village Rockstars took home the Grand Jury Prize for Best Feature. In awarding the Grand Prize, the narrative jury stated: “This film explores gender expectations in a gentle manner. It blends beautiful cinematography with naturalistic performances in a fun and uplifting coming-of age story. Working as a one woman army, this director created an unforgettable portrait of childhood.”

Female filmmakers made quite the impression this year so it was only fitting that the award winning Village Rockstars was the closing night film. Rima Das not only directed the film, but she also was the cinematographer, art director, editor and more. When asked about the origin of the film, Das explained that she was not sure she was going to make a feature alone. Over the course of four years, Das took on the many roles primarily due to lack of funds. She expressed it was challenging but there was also a freedom to being a ‘one woman show’; there was no pressure. So she just took the challenge.

She filmed in the village of Assam, where she is from, and as the main characters are children, whom she filmed early in the morning and after school. A benefit to this constraint was that she was always filming during “magic hour” and the optimal lighting hours. Also, the weather in the area is unpredictable so she had to always be ready to film which is much easier when she is the only crew to organize.

This style of filming, gave the film a documentary type feel. There was no full script but there was a structure. She would write a scene and go shoot it. In the initial stage, the story did not change – a girl dreaming of owning a guitar. However, over the course of filming, a sweet mother daughter relationship story developed. After the film, an audience member asked if they are actually mother and daughter and Das confirmed they are. The mother character is a strong woman and recalling the inspiration for that, Das mentioned how her own mother is strong and it was from her own imagination. Referring to the relationship in the film, Das expressed she wants motherhood to be like that.

Regarding the initial inspiration, Das said she met some amazing children in her village who inspired her and she liked how, “Children, they can dream”. She casted the boys first and the lead girl was around while they were doing the initial filming. Das recounted how the girl was so naughty and climbing trees; she sounds just like her character. Then this girl slowly was overpowering the boys with her presence. “There was something in her face, she was so strong” said Das. The children and the way they were filmed gives the film an extremely natural and realistic feel which in turn adds to the documentary vibe. The pacing of the over all film is a bit slow but this is not so much a problem as you are in this world exploring it with the children.

In the film, there is flood which happens annually in the area. At the time of filming, it was not on Das’ mind to include the flood as part of the story. Then a flood happened but she did not want to film it because her film was not a documentary. Then, it flooded again and she found it did fit within the story – it is a part of the characters’ lives. After a couple weeks, they all go back to their lives and that is how Das felt it fit within her story.

After the full week of films, film discussions and meeting new people, seeing old friends, attendees and filmmakers bid farewell to IFFLA and went back to their lives. However, there was one last time of mingling and some dancing at the closing night gala. A few filmmakers commented how their were sad that the festival was over but they had such a wonderful time.
Film festivals bring people together to celebrate their love of cinema and IFFLA did that once again.
Until next year!

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Donald Trump takes subtle jab at FCC Chairman Ajit Pai during Diwali ceremony

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WASHINGTON (Diya TV) — President Donald Trump took time to appreciate and honor fellow South Asian members in his administration during a Diwali celebration, but he did also manage to throw a jab at Ajit Pai.

Pai, chairman of the Federal Communications Commission, was criticized by Trump earlier this year during the Sinclair-Tribune merger which halted the conservative local news giants.

The decision made by Pai, a conservative, infuriated Trump:

Fast forward to the Diwali celebration at the White House, the president managed to bring it up again. After raving about how “grateful” he was to have numerous Americans of Indian and Southeast Asian heritage in critical roles and who’ve done an “incredible job,” the remark was unfitting.

After singling out Pai, he reflected on some of that “incredible” and said the following:

“”I just didn’t like one decision he made, but that’s alright,” he joked, then he subtracted some of that “alright,” adding: “not even a little bit, but he’s independent.”

Pai, who is of Indian American descent, was designated by Trump in January 2017 — becoming the first Indian American to hold the office.

The Harvard and Chicago Law School graduate previously served as commissioner of the FCC after being appointed by former president Barack Obama.

Though Trump didn’t elaborate much after pointing him out, it has been noted that Pai carries a heavy load in how media is presented.

Pai’s decision to reverse Sinclair’s merger was based on his stance of the people’s interest and keeping media diverse throughout the country.

Along with first amendment best practices, Pai is focusing on issues relating to broadband, public safety and fiscal responsibility.

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Bollywood sweethearts Deepika Padukone and Ranveer Singh tie the knot in Italy

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Deepika Padukone and Ranveer Singh getting married by Lake Cuomo in Italy. Seen here in there 'Konkani' Wedding Ceremony. Photo: Twitter.com
Bollywood superstars Deepika Padukone & Ranveer Singh tie the knot in Lake Como, Italy

LAKE CUOMO, Italy — Bollywood sweetheart couple, Deepika Padukone and Ranveer Singh have officially tied the knot at a private villa against the scenic Lake Como backdrop, in Italy. The two-day ceremony included a ‘Konkani‘ style ceremony as well as ‘Sindhi‘ ceremony to bring these two Bollywood stars into matrimony.

The couple released two pictures on twitter, with a simple heart emoji

The newlyweds began their love story on screen, sharing intimate moments in films like ‘Ramleela’,’Bajirao Mastani‘ and Padmavat.

According to the Huffington Post, film director Sanjay Leela Bhansali said ‘cut’ during their kiss toward the end, but they continued their sizzling moment as over 50 crew members mesmerizingly watched. It was the start of a blossoming relationship, forging together a Bollywood power couple with chemistry on and off set.

The much awaited wedding ceremony left no stone unturned to celebrate this star couple in grand style with an intensely private and synchronized affair set against at Italy’s scenic Lake Como backdrop, at Villa del Balbianello.

Deepika Padukone and Ranveer Singh getting married by Lake Cuomo in Italy. Seen here in there 'Sindhi' Wedding Ceremony. Photo: Twitter.com

Deepika Padukone and Ranveer Singh getting married by Lake Cuomo in Italy. Seen here in there ‘Sindhi’ Wedding Ceremony. Photo: Twitter.com

An Indian Bollywood wedding without a celeb designer? I think not. The duo opted to go with veteran designer Sabyasachi Mukherji. ‘Sabya‘ as fans often call him, drew inspiration from the wedding ceremony theme and designed decadent outfits in shades of red, pink and all things ‘shaadi‘ for both the ‘Konkani‘ & ‘Sindhi‘ ceremonies. Deepika wore a veil with the words,”Sada Saubhyagyavati Bhava” embroidered along the hem draped over her head. This mantra translates to “be forever fortunate” is often a blessing given to newly weds, wishing them a ‘happily ever after’ life ahead.

Ofcourse no Bollywood wedding is complete without all the ‘Badhaai‘ or well wishes from fellow co-stars, most of who took to twitter to shower the newly minted couple.

A Bollywood wedding, without some ‘filmy’ elements is nearly impossible. According to Filmfare, Singh made his grand entry on Govinda’s hit song ‘Meri Pant Bhi Sexy’, continuing with ‘Chunari Chunari’ and ‘One Two Ka Four‘ as he reached the wedding venue with his family and relatives.

With heavy security for this intensely private ceremony, the couple remained sensitive to the plight of hundreds of fans & paparazzi gathered to capture a glimpse of their special event. They sent gift packs of sweets to the media, thanking them for their wishes.

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Trump celebrates Diwali with diya lighting ceremony in the White House

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White House Diwali Diya Lighting ceremony.

WASHINGTON (Diya TV) — President Donald Trump took part in a Diwali celebration Tuesday at the White House where he held a ceremonial lighting of the ‘diya‘. The diya lighting ceremony, Trump used the time to discuss the ties between the U.S. and India which he stated were perhaps closer than ever before. He began by saying how thrilled and special it was to be part of the celebration. Shortly after, Trump gave high praise for the contributions Indian Americans have displayed in the country and in his administration. He began the ceremony by first addressing the victims of fires in California.

He continued to introduce several Indian Americans members of his team and then welcomed Indian Ambassador to the U.S., Navtej Sarna.

With an attendee list of roughly 20 notable Indian Americans within his administration, Trump added onto the growing number during the event as he nominated Neomi Rao to replace Brett Kavanaugh on the D.C. Circuit.

“We were going to announce that tomorrow and I said, ‘Here we are Neomi — we’re never gonna do better than this’ — I thought it was an appropriate place.”

Rao, born to Indian parents, is a graduate of Yale and University of Chicago Law School. She recently spent time as an associate law professor at George Mason and an administrator in the Office of Information and Regulatory Affairs. She responded by saying: “Thank you very much, Mr. President, for the confidence you’ve shown in me. I greatly appreciate it.”

“Our nation is blessed to be home to millions of hardworking citizens of Indian and southeast Asian heritage, who enrich our country in countless ways. Together we are one proud American family. I’m grateful to have numerous Americans of Indian and southeast Asian heritage who fulfill critical roles across my administration, and they’ve done an incredible job.”

However, President Trump failed to mention the largest group of Indian Americans, the ‘Hindus’, which the twitter sphere was quick to point out.

This is the second year in a row President Trump has hosted a Diwali Celebration in the Oval Office. Here’s Diya TV’s coverage from the year before.

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