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The 16th annual IFFLA opens with a pensive, ‘In the Shadows’ starring Manoj Bajpayee

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Left to Right: Director Dipesh Jain (In The Shadows), Actor Manoj Bajpayee (In The Shadows)

LOS ANGELES (Diya TV) — The 16th annual Indian Film Festival of Los Angeles took the audience on a journey into the decent of one man’s mind with the opening night film, Gali Guleiyaan or ‘In the Shadows’. The director and writer, Dipesh Jain along with lead actor, Manoj Bajpayee were in walked the opening night red carpet and stayed till the end of the movie for an insightful Q&A session moderated by IFFLA’s Director of Programming Mike Dougherty.

The film is set in the heart of New Delhi and deals with a recluse, Khuddoos (played by Manoj Bajpayee), who watches the world through the lens of CCTV cameras that he has set up around his densely packed neighborhood in Dehli. His best and only friend, Ganeshi (played by Ranvir Shorey), tries to get Khuddoos to get out more but something is just a bit off with him. Khuddoos has been the voyeur for so long that when he suspects his next-door neighbor’s young boy is being abused, he must gather the courage to become a participant instead of just being a bystander.

During the Q&A, Jain mentioned he had snippets and scenes in mind for this film for years. The idea of entrapment and people being trapped had been on his mind since childhood because his grandparents lived in a similar area to that presented in the film. Later on, Jain started researching child abuse and the connection to abused individuals suffering from schizophrenia. This concept then developed in to the idea of a man trapped in this city and his mind. There is a line in the film that says the city is like a maze and once you are in it, you are stuck there.

When asked what he thought of the script/story, Bajpayee said he found it quite fascinating and that this character and script would take his craft to another level. The character of Khuddoos has a lot going on under the surface and Bajpayee played this complex character superbly. One audience member even asked what was wrong with the character because he is so peculiar. Bajpayee explained this is not dealing with a disease but rather dealing with the mind. and he wanted to portray a conflicted mind where the character spirals downward while looking for himself.

Khuddoos loses track of time, seems distant yet fixated on trying to help this young boy. Bajpayee said it was a challenge going in and out of character and that “the deterioration of the mind and how to achieve that” would be difficult to come out of. He went on to say that preparation for each actor is personal and for him, he did not tell any family or friends that he was filming in Dehli. Recalling a story, Bajpayee talked about how the director showed him candid photos that had been taken of him and elaborated that, “you don’t know when you slip in the character. You become one. That’s the way to become this complicated character.” He went on to say that the mind of the character has so many things going on and that is part of the enjoyment of being an actor.

When asked to compare the experience of portraying this character to his character in Aligarth, Bajpayee said that the role in Aligarth was not that complicated. That is a man who knows who he is unlike In the Shadows, where he does not, and the search to find out continues to break his mind down. Bajpayee commented that he likes as an actor, “you get to play so many minds”, and that you need to play the mind not the profession. If you have two lawyers, they may be alike in profession but it is their minds that makes them different.

As you can tell, the concept of the mind in a large theme with this film but to elaborate further would be to spoil the intriguing journey the film takes.

On returning to Dehli, Jain said the city never changed. The character of the city, the people, their talks and their culture have stayed the same. It is like a time trap but this aided in the telling of the primary and secondary story. Each story has different film styles to make them stand apart from each other.

The other story that the film focuses on if the young boy that Khuddoos wants to help. Jain told the audience that the process of casting the young boy was tedious but satisfying. They found him in an orphanage and learned he was a victim of child abuse who left home and lived on the streets. Jain talked about how he and the young boy worked together on scenes such as if he should cry or not while his father beat him. Jain wanted to and succeeded in earning the boy’s trust because some of these scenes were like relieving the trauma. The audience was happy to learn the boy had been struggling with his studies before they started filming but now he has more confidence and is working to get into a good school.

The Q&A wrapped up with Jain elaborating on one of the challenges of filmmaking in this area was that of interrupting people’s lives and having them stop and wait while filming. He knew this script would be a challenge and attributes much of the success of the film to his team; a team that was so much in sync. Jain said, “it’s a tough film and these guys made it easy.,”

The film addresses many different forms of voyeurism from the main character watching the outside world through video cameras, to the young boy spying on neighbors with his friends, and to the people who all gather when something is going on and just stand and stare.
The question one has to ask, do you just sit back and watch or do you step in to help?

During a heated moment, Khuddoos exclaims that all the kids in the neighborhood get beaten but no one does anything about it. Is this a reflection on society where we sit back while so much happens in the world but what are we really doing about it? If this character is any parable for the audience, we cannot sit locked up at home and hide away from the world. Even if it is painful, we must face our inner demons and not let them snuff us out.

Arts

Promising to be the film fest for “woke desis”, NYC SAFF to debut this November

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NYCSAFF Film Line-up

NEW YORK (Diya TV) — Promising to be the fest for “contemporary, aware, woke desis”, NYC SAFF is set to make its debut this fall at the Altman building in New York City. After the roaring success of the 5th annual Dallas-Fort Worth South Asian Film Festival (DFW SAFF), JINGO Media presents its second film festival in the United States, the New York City South Asian Film Festival (NYC SAFF), gearing up to make its debut in mid-November at various venues around Chelsea in Manhattan. The first ever New York South Asian Film Festival (NYC SAFF) opens with a collection of gut-punches, knee slappers, and laughing gags. Running over 3 days, be sure to bring out your inner cinephile.

Opening the fest is Rohit Karn Batra’s directorial debut Line of Descent a white-knuckled cop thriller starring Brendan Fraser, and Abhay Deol. The story follows a mafia family dispute caught in the crosshairs of a police officer who guides their tragic downfall, and an arms dealer with a spy on the inside. The centerpiece film is the painstakingly painted ‘Bollywood Rose‘ based on true events, it tells the story of a forbidden love in a ruthless city. ‘Kaamyaab‘ which as recently screened at the the Chicago South Asian Film Festival(CSAFF) makes its way into NYC SAFF followed by other festival favorites like Ephemera, Khejdi, and Agency bolstering an already stellar line up. Expect to meet indie stars Tannishtha Chatterjee & Nawazuddin Siddiqui at the closing night film, Roam Rome Mein, a story that follows Reena who has run away to Italy in order to escape her overly strict parents, however, her brother, Raj in the turmoils of his own awakening sets out on a journey to find her.

The short film selection features Eliezer Vergaras ‘Fractured Souls‘; a baffling self revelation that unfolds as one mans frustration leads him into cascading tragedies. Vick Krishnas ‘Freak‘, a father must cope with unexpected news on his daughters surprise birthday. The feature lineup has a cup for everyone be it feature, documentary, fiction, or nonfiction. ‘Namdev Bhau‘ a man so flustered by the noise of Delhi vows to not speak and undertakes a pilgrimage of silence until a young boy decides to tag along. The disturbing Mai Ghat’ is based on the true story of two police officers who wrongly arrest a boy and tortured him to death. Its a powerhouse film exploring the violent act putting to question our personal and social conscience. It wouldn’t be a proper a film festival without films that challenge us and make us question ourselves.

Discussing topics that are too often swept under the rug like LGBT, womens rights and the societal oppression.The Last Letter‘ follows Mohan, a 70-year old gay man who has remained in the closet, that is, until the comfort he built for himself comes tumbling down. The Unexpected tells the story of a woman who despite achieving everything in life cannot conceive a child. Through its range of films, NYCSAFF aims to challenge, entertain, inspire and enrich.

Presented by Toyota and produced by JINGO Media, a NYC and Dallas-based events and public relations company, the inaugural, three-day festival boasts world, U.S. and New York City premieres of more than 25 shorts, documentaries and feature films focused on the unique stories of the South Asian Diaspora and those of our brothers and sisters back home. JINGO Media is also the parent company of DFW SAFF, which was conceptualized and created in 2015. 

“We are so proud to create yet another platform for world-class independent cinema from India, Nepal, Pakistan, Bangladesh, Sri Lanka, Bhutan, Afghanistan and the Maldives,” said Jitin Hingorani, CEO/Principal of JINGO Media, a public relations company that launched in New York City in 2010. “We’re coming full circle with this festival because Manhattan is where it all began for us almost 10 years ago. We are certain that the community-at-large will embrace us and celebrate our joyous homecoming.” 

NYC SAFF has also partnered with The India Center Foundation (ICF), a New York City-based nonprofit organization dedicated to the study of the Indian subcontinent, the promotion of its cultural life and the unique relationship between India and the United States. “To partner with NYC SAFF means that ICF is reaching the audience we wish to serve: contemporary, aware, woke desis and lovers of Indian and Diasporic creativity and storytelling. As a filmmaker whose film was so lovingly received at DFW SAFF, I know we are working with a staff who is dedicated and eager to give New Yorkers the film experience they deserve when it comes to screening South Asian cinema. We are looking forward to partnering on great conversations and panels around the films we see together,” said Priya Giri Desai, Founding Director of ICF.

Complete with an opening night red carpet , a curated set of film screenings and a closing night after party, this New York debut of an indie fest, is looking to leave you bruised with heartache, emotional bliss and a belly full of laughter, gasping for more. The first ever New York South Asian Film Festival promises one for the books!

It all goes down from November 15th though the 17th at The Altman Building. With the film screenings occurring throughout the weekend at AMC 34th street 14.

Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.nycsaff.com/tickets

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Indian Ambassador, Shringla speaks to U.S. Congress about Kashmir

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AMB. Shringla speaks to congress about Kashmir | Diya TV News

WASHINGTON (Diya TV)  — Indian Ambassador to the U.S. Harsh Shringla met with members of Congress at a private roundtable briefing, hosted by Southern California Congressman Brad Sherman. Sherman, who has been a supporter of India, took to Twitter recently to share his concerns about Kashmir and said serious questions about Kashmir were asked at the briefing.

President Trump is being urged to fix the H1-B visa process and do away with country-specific limits, with the latest effort for reform being spearheaded by 60 U.S. business school deans and CEO’s.

In an earthquake, seconds matter. So on the anniversary of the deadly 1989 Loma Prieta earthquake that rocked Northern California, state officials announced the launch of America’s first statewide earthquake early warning system.

Tabla Maestro Zakir Hussain will be coming to Boston next month to perform at the Berklee India Exchange, where he will also be conferred with an honorary doctorate by the esteemed music school. A Zakir Hussain Scholarship at Berklee is also being established.

And we have incredible video of three kids from India rescuing their dog from a snake that’s equal parts courageous and nuts.

Ravi Kapur contributed to this report.

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Basketball

Gandhi 150th birth anniversary noted around the world

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Birth Anniversary

NEW DELHI (Diya TV) —  Celebrations for Mahatma Gandhi’s 150th birth anniversary have been ongoing for the past year, but culminated with a ceremony in New Delhi featuring Prime Minister Modi and another in Washington at the Library of Congress. And France’s government worked with the Indian Embassy there to issue a stamp in honor of his birth anniversary.

US Commerce Secretary Wilbur Ross and India’s Commerce and Industry Minister Piyush Goyal are meeting this week to continue the US-India discussion on trade and investment.

Indiana Governor Eric Holcomb came to New Delhi to strengthen ties between the Hoosier State and India. Infosys has already made a large commitment there. Holcomb is part of a large delegation of Americans now heading Mumbai to take in the first-ever NBA preseason games in India featuring the Indiana Pacers and the Sacramento Kings.

Bollywood turned Hollywood actor Anupam Kher came to the Bay Area to keynote the Akshay Patra annual fundraising gala that helps feed children in India a hot meal during the school year.

Ravi Kapur contributed to this report.

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