MUMBAI (Diya TV) — Veteran Bollywood star, Sridevi passed away at the age of 54. Survived by her husband, Bollywood producer Boney Kapoor, the actress died late in the night reportedly due to cardiac arrest in Dubai where she and her family were attending her nephew Mohit Marwah’s wedding.
From hits such as Nagina (1986), Mr. India (1987), Chandni (1989) to Judaai (1996) and English Vinglish in 2012, Sridevi dominated as the leading lady in 1980s and 1990s.
“I think she really was one of India’s first female superstars,” Bollywood critic Rajeev Masand told CNN. “It didn’t matter who the male actors where, the movies were shouldered by Sridevi.”
Masand recalled watching Sridevi as she filmed “Judaai” in Hyderbad in 1996. “It was incredible,” he told CNN. “She was very, very conscious and very, very shy, and this is at the peak of her career.”
Judaai” was a box office hit, but it was Sridevi’s performance in Gauri Shinde’s 2012 hit, “English Vinglish,” that really solidified her comeback and confirmed her as one of Bollywood’s most treasured and enduring talents.
Sridevi took the starring role of Shashi, an Indian housewife who only speaks Hindi but is thrust onto the streets of New York to help arrange her niece’s wedding. After a series of humiliations, Shashi decides she needs to learn English and enrolls in a four-week crash course
Fans, including co-stars, celebrities and politicians alike are expressing their shock at her untimely passing:
Henceforth no more Moonlit nights! Chandni gone forever. Alas! pic.twitter.com/VUuO3dQebL
— Rishi Kapoor (@chintskap) February 25, 2018
Saddened by the untimely demise of noted actor Sridevi. She was a veteran of the film industry, whose long career included diverse roles and memorable performances. My thoughts are with her family and admirers in this hour of grief. May her soul rest in peace: PM @narendramodi
— PMO India (@PMOIndia) February 25, 2018
I am at a loss for words & jolted as if struck by lightening at this late hour of the night to learn about the shocking & tragic news & untimely demise of #Sridevi ji. Heartbroken. She was India’s sweetheart, an incredible artiste & a beautiful human being. Gone too soon. RIP.? pic.twitter.com/VEIveFY4tw
— Adnan Sami (@AdnanSamiLive) February 24, 2018
Just woke up to the terrible news of Sridevi passing. My heart goes out to her family. The world has lost a very talented person who left behind a huge legacy in film. #RIPSridevi
— Madhuri Dixit-Nene (@MadhuriDixit) February 25, 2018
Nothing makes sense. I have no words.. just completely shocked. RIP Sri Devi. My icon forever. Love you.
— Alia Bhatt (@aliaa08) February 25, 2018
— Sudarsan Pattnaik (@sudarsansand) February 25, 2018
I just wish this wasn’t true. #RIPSridevi
— arjun rampal (@rampalarjun) February 25, 2018
— Chitrangda Singh (@IChitrangda) February 25, 2018
Dive into the IFFLA’s virtual fest as you celebrate the 4th
LOS ANGELES (Diya TV) — In the digital age of streaming services where you can play every movie ever made, festivals too are changing. While in person festivals are going to be a while away, Virtual Film Festivals are booming. IFFLA Over the Years is the festival’s response to the ongoing uncertainty in the film festival world. To that end, the previously announced 2020 lineup will be moved to 2021 so that filmmakers and audiences can join together and share the festival experience in person.
This year’s showcase is a special one, IFFLA Over The Years: 17 days celebrating 17 years of Indian cinema, is way of looking back all of those that have passed through the hallowed grounds. IFFLA brings you the best of yesteryear, with gems like Anurag Kashyap’s legendary godfather-esque Gangs of Wasseypur, the late Irrfan Khans shakespearean classic Maqbool, Lena Khan’s fresh immigrant tale The Tiger Hunter. The bulking roster ranges from narrative features, documentaries, to short films like Neha RT’s hilarious satire The Shailas, the oscar-nominated KUSH, the infuriating Bebaak. With 17 days to fly through the virtual festival will span form June 19th to July 5th leaving you just enough time to experience every joy, ache, bellowing laugh, and uncle-inducing cringe.
compare cymbalta and zoloft watch https://www.elc.edu/school/cheap-academic-essay-ghostwriting-for-hire-for-university/53/ go here see url get link levitra hardy prirodna viagra cijena zlata einnehmen viagra samples advocacy essay topics https://chanelmovingforward.com/stories/pre-algebra-homework-help/51/ click analysis essay and design of chemical processes website benardete infinity an essay in metaphysics follow go here purchase dissertation umi https://heystamford.com/writing/dissertation-objectives/8/ how many times a week can you use viagra here pode dividir o viagra ao meio https://medpsychmd.com/nurse/side-effects-drugs/63/ little albert ethical issues essays follow url primatene mist canadian pharmacy see here https://tetratherapeutics.com/treatmentrx/online-tore-viagra/34/ viagra banned mlb kamagra generic viagra soft 100 essay introductory paragraph sample enter site “We are beyond thrilled to be presenting this online showcase of alumni films,” said Christina Marouda, IFFLA’s founder. “Traveling through 17 years of programming has allowed us to reconnect with so many of our alumni with whom we share fond memories. We are excited with this opportunity to collaborate with them to offer new audiences worldwide the chance to discover some of the most visionary voices of Indian independent cinema in recent years. We also hope recent IFFLA attendees have a chance to catch up with films from our first decade, and early attendees who could not join us in recent years are able to discover some of the newer gems we’ve presented. There is literally a film for everyone’s appetite.”
“A Female Lens” features films made by and/or centering on women such as Karishma Dev Dube’s Devi (Goddess), starring Priyanka Bose (Lion); “This Is Not Fiction” presents award-winning documentaries including Faiza Ahmad Khan‘s hilarious Supermen of Malegaon; “Stories of Youth” highlights children and adolescence in films such as Rima Das’ festival favorite Village Rockstars, which was India’s Oscar entry for 2019, and Shubhashish Bhutiani‘s Oscar-shortlisted short film Kush. “Diaspora Windows” shares stories of Indian characters living outside of India with highlights including Lena Khan’s The Tiger Hunter and Ruthy Pribar’s The Caregiver.
Over 70 short films are included in “Keeping it Short” with Neha RT‘s uproarious satire The Shaila(s) and Jennifer Rosen‘s piercing Laksh, making their online premiere with this virtual showcase.
Finally, Richie Mehta‘s India In A Day, Shonali Bose‘s Amu, Devashish Makhija‘s Taandav, Tanuj Chopra’s Pia, and Shirley Abraham and Amit Madheshiya’s The Hour of Lynching are new additions to IFFLA’s programming by alumni.
Beat edging towards insanity by filling your days with more stories of hardship, of bliss, more tales of life just beyond the door, of lives just next door, and if they can get through it, so can you.
With 2020 being such an unprecedented year it’s easy to get caught up in the turbulence and feel overwhelmed. But we’ll get through this like we always have. We’ve been through worse, our ancestors used to huddle together in the dark over bonfires in a fang and spear infested world speaking the first stories ever told. Wondrous adventures filled with heroes, villians, grim horrors, stunning beauty and everything in-between. These stories that brought us together, to feel safe around one another, these stories around the bonfire have transformed to become the projector and screens of today. A good story is what gets us through, inspiring us, enchanting us with dreams for tomorrow. So, feeling cooped up edging towards cabin fever?
We’re all right there with you so cancel your next Netflix binge there’s a long weekend of new movies ahead.
Promising to be the film fest for “woke desis”, NYC SAFF to debut this November
NEW YORK (Diya TV) — Promising to be the fest for “contemporary, aware, woke desis”, NYC SAFF is set to make its debut this fall at the Altman building in New York City. After the roaring success of the 5th annual Dallas-Fort Worth South Asian Film Festival (DFW SAFF), JINGO Media presents its second film festival in the United States, the New York City South Asian Film Festival (NYC SAFF), gearing up to make its debut in mid-November at various venues around Chelsea in Manhattan. The first ever New York South Asian Film Festival (NYC SAFF) opens with a collection of gut-punches, knee slappers, and laughing gags. Running over 3 days, be sure to bring out your inner cinephile.
Opening the fest is Rohit Karn Batra’s directorial debut ‘Line of Descent a white-knuckled cop thriller starring Brendan Fraser, and Abhay Deol. The story follows a mafia family dispute caught in the crosshairs of a police officer who guides their tragic downfall, and an arms dealer with a spy on the inside. The centerpiece film is the painstakingly painted ‘Bollywood Rose‘ based on true events, it tells the story of a forbidden love in a ruthless city. ‘Kaamyaab‘ which as recently screened at the the Chicago South Asian Film Festival(CSAFF) makes its way into NYC SAFF followed by other festival favorites like Ephemera, Khejdi, and Agency bolstering an already stellar line up. Expect to meet indie stars Tannishtha Chatterjee & Nawazuddin Siddiqui at the closing night film, Roam Rome Mein, a story that follows Reena who has run away to Italy in order to escape her overly strict parents, however, her brother, Raj in the turmoils of his own awakening sets out on a journey to find her.
The short film selection features Eliezer Vergaras ‘Fractured Souls‘; a baffling self revelation that unfolds as one mans frustration leads him into cascading tragedies. Vick Krishnas ‘Freak‘, a father must cope with unexpected news on his daughters surprise birthday. The feature lineup has a cup for everyone be it feature, documentary, fiction, or nonfiction. ‘Namdev Bhau‘ a man so flustered by the noise of Delhi vows to not speak and undertakes a pilgrimage of silence until a young boy decides to tag along. The disturbing ‘Mai Ghat’ is based on the true story of two police officers who wrongly arrest a boy and tortured him to death. Its a powerhouse film exploring the violent act putting to question our personal and social conscience. It wouldn’t be a proper a film festival without films that challenge us and make us question ourselves.
Discussing topics that are too often swept under the rug like LGBT, womens rights and the societal oppression. ‘The Last Letter‘ follows Mohan, a 70-year old gay man who has remained in the closet, that is, until the comfort he built for himself comes tumbling down. ‘The Unexpected‘ tells the story of a woman who despite achieving everything in life cannot conceive a child. Through its range of films, NYCSAFF aims to challenge, entertain, inspire and enrich.
Presented by Toyota and produced by JINGO Media, a NYC and Dallas-based events and public relations company, the inaugural, three-day festival boasts world, U.S. and New York City premieres of more than 25 shorts, documentaries and feature films focused on the unique stories of the South Asian Diaspora and those of our brothers and sisters back home. JINGO Media is also the parent company of DFW SAFF, which was conceptualized and created in 2015.
“We are so proud to create yet another platform for world-class independent cinema from India, Nepal, Pakistan, Bangladesh, Sri Lanka, Bhutan, Afghanistan and the Maldives,” said Jitin Hingorani, CEO/Principal of JINGO Media, a public relations company that launched in New York City in 2010. “We’re coming full circle with this festival because Manhattan is where it all began for us almost 10 years ago. We are certain that the community-at-large will embrace us and celebrate our joyous homecoming.”
NYC SAFF has also partnered with The India Center Foundation (ICF), a New York City-based nonprofit organization dedicated to the study of the Indian subcontinent, the promotion of its cultural life and the unique relationship between India and the United States. “To partner with NYC SAFF means that ICF is reaching the audience we wish to serve: contemporary, aware, woke desis and lovers of Indian and Diasporic creativity and storytelling. As a filmmaker whose film was so lovingly received at DFW SAFF, I know we are working with a staff who is dedicated and eager to give New Yorkers the film experience they deserve when it comes to screening South Asian cinema. We are looking forward to partnering on great conversations and panels around the films we see together,” said Priya Giri Desai, Founding Director of ICF.
Complete with an opening night red carpet , a curated set of film screenings and a closing night after party, this New York debut of an indie fest, is looking to leave you bruised with heartache, emotional bliss and a belly full of laughter, gasping for more. The first ever New York South Asian Film Festival promises one for the books!
It all goes down from November 15th though the 17th at The Altman Building. With the film screenings occurring throughout the weekend at AMC 34th street 14.
Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.nycsaff.com/tickets
Celebrity Chef, Vikas Khanna’s ‘The Last Color’ to open 10th annual CSAFF
CHICAGO (Diya TV) – Celebrity Chef, Vikas Khanna’s lastest film venture, ‘The Last Color’ will open the 10th annual Chicago South Asian Film Festival (CSAFF). And if that didn’t get your attention, the Michelin-starred chef will also cater the opening night reception. With a densely-packed and competitive lineup of over 50 films ranging in scope from documentary, features and shorts the fest promises a weekend full of entertainment for Chicagoland.
The Festival will showcase films from and about South Asia, spanning countries like India, Pakistan, Bangladesh, Sri Lanka, Nepal, Afghanistan. Through this extensive array of cinema, audiences will be able to take a deep dive into these rich cultures and experience the intimate complexities and stories within them.
The Opening Night Film: The Last Color is produced, written, and directed by Michelin-starred chef, Vikas Khanna, and stars veteran actor Neena Gupta. The film tells the story of 9-year old Chhoti, a tightrope walker, struggling to survive and make ends meet while she dreams of attending school. In the midst of her toils Chhoti meets Noor, a widow who struggles a life of abstinence and isolation, together their friendship must stand the test of taboos and age-old beliefs that perforate Varanasi, India. Festival manager, Jigar Shah said, “This Opening Night film will shed light on both the complexities and the beauty of certain areas of South Asian Culture.”
The centerpiece for this year, award winning director Hardik Mehta’s Kaamyaab – a story about a washed up side actor from the hey days of Bollywood, who realises that he ‘retired’ on the verge of a rare milestone – he had featured in 499 Hindi films!
In this broad palette of emotions and themes are films that are fearless on speaking about social issues within the community, stories about women’s empowerment, social justice and more. Nagarkirtan, tells the story of a boy growing up in rural Bengal who soon realizes he is a woman with the physique of a man forcing him to flee to a world that will accept him for his inner truths. The documentary A Destruction focuses on 11-year old Humera growing up in a coastal village near Karachi, Pakistan, as she dreams of one day becoming a doctor. However, when tensions spill into the village and threaten the only school to shut down, she must face the intense pressure of foregoing her dreams for an arranged marriage.
Another influential gem, at this fest this year, is the film Kaifinama, which details the life and art of Kaifi Azmi, an Urdu progressive poet who became one of the foremost lyricists in the Hindi Film industry out of meager beginnings. His daughter, veteran actress, Shabana Azmi is slated to be in attendance for the fest.
Providing bursts of levity and grace between the full length features are the stellar and bite-sized shorts such as Rahul Chaturvedi’s hilariously quirky Forbidden Tikka Masala, Nirav Bhakta’s HBO APA winner Halwa. Another must-see screening would be Nikhil Singh Rajputt’s Blood Buddhas – a documentary about India’s quest to repatriate cultural, historical artifacts, that “purloined during colonial times,”.
From traditional wide-screen theaters to Virtual Reality booths, Documentary features to short features; Afghanistan to Bangladesh, Nepal to Sri lanka, CSAFF aims to be a conflux of cultures, and ideas, as well as an examination of challenges and change.
Alongside post-film Q&A discussions, award ceremonies, the 10th annual CSAFF promies to be the best ever yet! If a glamorous Red Carpet, a chance to rub shoulders with film makers, actors and cinephiles wasn’t enough, CSAFF knows how to throw down, Chi-town style! The Festival after party will be headlined by celebrity musician DJ Karsh Kale.
It all takes place from September 19th through the 22nd at the VENUE SIX10 in the Spertus Institute. With more than 50 other films that will be screened throughout the weekend at the Showplace ICON Theater and DePaul University.
Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.csaff.org/tickets/
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