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Acclaimed filmmaker’s Sanjay Leela Bhansali’s Padmavati release postponed till 2018

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Mired in protests, the epic Bollywood film Padmavati awaits release

LOS ANGELES (Diya TV) — Acclaimed Bollywood filmmaker Sanjay Leela Bhansali directed an opera of a Sufi poem Padmavat at the Châtelet theatre in Paris in 2008, becoming the first Indian to direct an opera in Paris and Rome. The opera made its debut at the 51st Spoleto festival, and will now be retold in the form of a visual cinematic extravaganza, starring one of the biggest names in Indian cinema, Deepika Padukone. The film has been mired in controversy in India long before its release. Originally set to release world-wide on Friday, December 1st, the film release was voluntarily deferred by Viacom 18. Earlier in November they released a statement,

“The studio has voluntarily deferred the release date of Padmavati from 1 December, 2017. Along with Sanjay Leela Bhansali, amongst the most gifted film makers of his generation, Viacom18 Motion Pictures has created a beautiful cinematic masterpiece in Padmavati that captures Rajput valor, dignity and tradition in all its glory. The film is an eloquent portrayal of a tale that will fill every Indian with pride and showcase our country’s story-telling prowess across the globe. We are a responsible, law-abiding corporate citizen and have the highest respect and regard for the law of the land and all our institutions and statutory bodies including the Central Board of Film Certification. We always have and are committed to continue following the established procedure and convention. We have faith that we will soon obtain the requisite clearances to release the film. We will announce the revised release date of the film in due course. We stand firm in our commitment to tell endearing tales that resonate with our audiences the world over as we have in the past with our other projects such as Toilet: Ek Prem Katha, Queen, Bhaag Milkha Bhaag and many more.”

It all started in January when Bhansali was assaulted during the filming by a mob consisting of Karni Sena members, a Rajput group. In Padmavati, the Rajput queen Padmini chose to kill herself by self-immolation rather than be captured by the Muslim sultan, Alauddin Khilji.

Paramount Pictures which is set to distribute its first Bollywood release has the exclusive rights in international markets outside of India. Directed by Bhansali, ‘Padmavati’ stars Deepika Padukone in the lead role of Rani Padmavati, Shahid Kapoor as Maharawal Ratan Singh and Ranveer Singh as Sultan Alauddin Khilji. ‘Padmavati’ recounts the tale of Rani Padmavati – the legendary Mewar queen known as much for her beauty and intelligence as she was for her courage, her husband Maharawal Ratan Singh – a glorious Rajput ruler and a warrior king who fought till his dying breath to defend his kingdom and his wife’s honor and Sultan Alauddin Khilji – an ambitious and obsessive invader, who left no stone unturned in his pursuit of Padmavati.

Protestors of the film, claim that Alauddin Khilji was a brutal ruler and Bhansali’s film glamorizes him.
In addition, Rajput community has been up in arms about the portrayal of their Queen Padmini of Chittorgarh.
With state elections looming in Gujarat, community leaders from the ruling BJP have written to the Chief Election Commissioner demanding the stalling of the release of the film ahead of Gujarat elections.
According to reports, BJP vice-president I.K. Jadeja has received representations from Kshatriya community in
17-18 districts of Gujarat expressing concern about distortion of history in the movie.

Steeped in quintessential Bhansali-esq extravaganza of India’s rich and vibrant culture, adorned with classical folk music and paying tribute to a glorious era, the trailer of ‘Padmavati’ gives the audiences a glimpse of the magnanimity of the film, complete with ornate sets, perfectly co-ordinated elaborate dance sequences and exquisite costumes.

Meanwhile, the Central Board of Film Certification has yet to clear the film and with the local elections looming in Rajasthan. Director, Sanjay Leela Bhansali had to leave his residence in Mumbai with Police protection.

Padmavati Director, Sanjay Leela Bhansali leaves Mumbai at a day before the film release, with police protection

Padmavati Director, Sanjay Leela Bhansali leaves Mumbai at a day before the film release, with police protection

The filmmakers, including Bollywood’s top-paid actress and the protagonist, Deepika Padukone tweeted in disbelief calling for action

With unconfirmed reports of the film being deferred into 2018, the activists continue to find newer ways to rage and stop the film from hitting the screens. Indian states like Rajasthan, UP, Jaipur have already announced that they won’t allow the screening of the film even if the Certification Board passes it. And while the Indian Censor Board has yet to give the green light, the British Censor Board has cleared Padmavati for a December 1st release.

With all the talk about the progress and innovation in India, one has to question the motivation of the

Arts

Dive into the IFFLA’s virtual fest as you celebrate the 4th

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IFFLA Over the Years

LOS ANGELES (Diya TV) — In the digital age of streaming services where you can play every movie ever made, festivals too are changing. While in person festivals are going to be a while away, Virtual Film Festivals are booming.  IFFLA Over the Years is the festival’s response to the ongoing uncertainty in the film festival world. To that end, the previously announced 2020 lineup will be moved to 2021 so that filmmakers and audiences can join together and share the festival experience in person.

This year’s showcase is a special one, IFFLA Over The Years: 17 days celebrating 17 years of Indian cinema, is way of looking back all of those that have passed through the hallowed grounds. IFFLA brings you the best of yesteryear, with gems like Anurag Kashyap’s legendary godfather-esque Gangs of Wasseypur, the late Irrfan Khans shakespearean classic Maqbool, Lena Khan’s fresh immigrant tale The Tiger Hunter. The bulking roster ranges from narrative features, documentaries, to short films like Neha RT’s hilarious satire The Shailas, the oscar-nominated KUSH, the infuriating Bebaak.  With 17 days to fly through the virtual festival will span form June 19th to July 5th leaving you just enough time to experience every joy, ache, bellowing laugh, and uncle-inducing cringe.

 “We are beyond thrilled to be presenting this online showcase of alumni films,” said Christina Marouda, IFFLA’s founder. “Traveling through 17 years of programming has allowed us to reconnect with so many of our alumni with whom we share fond memories. We are excited with this opportunity to collaborate with them to offer new audiences worldwide the chance to discover some of the most visionary voices of Indian independent cinema in recent years. We also hope recent IFFLA attendees have a chance to catch up with films from our first decade, and early attendees who could not join us in recent years are able to discover some of the newer gems we’ve presented. There is literally a film for everyone’s appetite.”

A Female Lens features films made by and/or centering on women such as Karishma Dev Dube’s Devi (Goddess), starring Priyanka Bose (Lion); “This Is Not Fiction presents  award-winning documentaries including Faiza Ahmad Khan‘s hilarious Supermen of MalegaonStories of Youth” highlights children and adolescence in films such as Rima Das’ festival favorite Village Rockstars, which was India’s Oscar entry for 2019, and Shubhashish Bhutiani‘s Oscar-shortlisted short film Kush. “Diaspora Windows” shares stories of Indian characters living outside of India with highlights including Lena Khan’s The Tiger Hunter and Ruthy Pribar’s The Caregiver.

Over 70 short films are included in “Keeping it Short” with Neha RT‘s uproarious satire The Shaila(s) and Jennifer Rosen‘s piercing Laksh, making their online premiere with this virtual showcase.

Finally, Richie Mehta‘s India In A Day, Shonali Bose‘s Amu, Devashish Makhija‘s Taandav, Tanuj Chopra’s Pia, and Shirley Abraham and Amit Madheshiya’s The Hour of Lynching are new additions to IFFLA’s programming by alumni.

Legedary fests such as Sundance and Cannes, set the trend for the virtual streaming fest and now we are seeing many Indian film festivals follow suit, IFFLA, NYSAFF & DYWSAFF.

Beat edging towards insanity by filling your days with more stories of hardship, of bliss, more tales of life just beyond the door, of lives just next door, and if they can get through it, so can you.

With 2020 being such an unprecedented year it’s easy to get caught up in the turbulence and feel overwhelmed. But we’ll get through this like we always have.  We’ve been through worse, our ancestors used to huddle together in the dark over bonfires in a fang and spear infested world speaking the first stories ever told. Wondrous adventures filled with heroes, villians, grim horrors, stunning beauty and everything in-between. These stories that brought us together, to feel safe around one another, these stories around the bonfire have transformed to become the projector and screens of today. A good story is what gets us through, inspiring us, enchanting us with dreams for tomorrow. So, feeling cooped up edging towards cabin fever?

We’re all right there with you so cancel your next Netflix binge there’s a long weekend of new movies ahead.

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Promising to be the film fest for “woke desis”, NYC SAFF to debut this November

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NYCSAFF Film Line-up

NEW YORK (Diya TV) — Promising to be the fest for “contemporary, aware, woke desis”, NYC SAFF is set to make its debut this fall at the Altman building in New York City. After the roaring success of the 5th annual Dallas-Fort Worth South Asian Film Festival (DFW SAFF), JINGO Media presents its second film festival in the United States, the New York City South Asian Film Festival (NYC SAFF), gearing up to make its debut in mid-November at various venues around Chelsea in Manhattan. The first ever New York South Asian Film Festival (NYC SAFF) opens with a collection of gut-punches, knee slappers, and laughing gags. Running over 3 days, be sure to bring out your inner cinephile.

Opening the fest is Rohit Karn Batra’s directorial debut Line of Descent a white-knuckled cop thriller starring Brendan Fraser, and Abhay Deol. The story follows a mafia family dispute caught in the crosshairs of a police officer who guides their tragic downfall, and an arms dealer with a spy on the inside. The centerpiece film is the painstakingly painted ‘Bollywood Rose‘ based on true events, it tells the story of a forbidden love in a ruthless city. ‘Kaamyaab‘ which as recently screened at the the Chicago South Asian Film Festival(CSAFF) makes its way into NYC SAFF followed by other festival favorites like Ephemera, Khejdi, and Agency bolstering an already stellar line up. Expect to meet indie stars Tannishtha Chatterjee & Nawazuddin Siddiqui at the closing night film, Roam Rome Mein, a story that follows Reena who has run away to Italy in order to escape her overly strict parents, however, her brother, Raj in the turmoils of his own awakening sets out on a journey to find her.

The short film selection features Eliezer Vergaras ‘Fractured Souls‘; a baffling self revelation that unfolds as one mans frustration leads him into cascading tragedies. Vick Krishnas ‘Freak‘, a father must cope with unexpected news on his daughters surprise birthday. The feature lineup has a cup for everyone be it feature, documentary, fiction, or nonfiction. ‘Namdev Bhau‘ a man so flustered by the noise of Delhi vows to not speak and undertakes a pilgrimage of silence until a young boy decides to tag along. The disturbing Mai Ghat’ is based on the true story of two police officers who wrongly arrest a boy and tortured him to death. Its a powerhouse film exploring the violent act putting to question our personal and social conscience. It wouldn’t be a proper a film festival without films that challenge us and make us question ourselves.

Discussing topics that are too often swept under the rug like LGBT, womens rights and the societal oppression.The Last Letter‘ follows Mohan, a 70-year old gay man who has remained in the closet, that is, until the comfort he built for himself comes tumbling down. The Unexpected tells the story of a woman who despite achieving everything in life cannot conceive a child. Through its range of films, NYCSAFF aims to challenge, entertain, inspire and enrich.

Presented by Toyota and produced by JINGO Media, a NYC and Dallas-based events and public relations company, the inaugural, three-day festival boasts world, U.S. and New York City premieres of more than 25 shorts, documentaries and feature films focused on the unique stories of the South Asian Diaspora and those of our brothers and sisters back home. JINGO Media is also the parent company of DFW SAFF, which was conceptualized and created in 2015. 

“We are so proud to create yet another platform for world-class independent cinema from India, Nepal, Pakistan, Bangladesh, Sri Lanka, Bhutan, Afghanistan and the Maldives,” said Jitin Hingorani, CEO/Principal of JINGO Media, a public relations company that launched in New York City in 2010. “We’re coming full circle with this festival because Manhattan is where it all began for us almost 10 years ago. We are certain that the community-at-large will embrace us and celebrate our joyous homecoming.” 

NYC SAFF has also partnered with The India Center Foundation (ICF), a New York City-based nonprofit organization dedicated to the study of the Indian subcontinent, the promotion of its cultural life and the unique relationship between India and the United States. “To partner with NYC SAFF means that ICF is reaching the audience we wish to serve: contemporary, aware, woke desis and lovers of Indian and Diasporic creativity and storytelling. As a filmmaker whose film was so lovingly received at DFW SAFF, I know we are working with a staff who is dedicated and eager to give New Yorkers the film experience they deserve when it comes to screening South Asian cinema. We are looking forward to partnering on great conversations and panels around the films we see together,” said Priya Giri Desai, Founding Director of ICF.

Complete with an opening night red carpet , a curated set of film screenings and a closing night after party, this New York debut of an indie fest, is looking to leave you bruised with heartache, emotional bliss and a belly full of laughter, gasping for more. The first ever New York South Asian Film Festival promises one for the books!

It all goes down from November 15th though the 17th at The Altman Building. With the film screenings occurring throughout the weekend at AMC 34th street 14.

Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.nycsaff.com/tickets

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Celebrity Chef, Vikas Khanna’s ‘The Last Color’ to open 10th annual CSAFF

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Celebrity Chef, Vikas Khanna's 'The Last Color' to open 10th annual CSAFF

CHICAGO (Diya TV) – Celebrity Chef, Vikas Khanna’s lastest film venture, ‘The Last Color’ will open the 10th annual Chicago South Asian Film Festival (CSAFF). And if that didn’t get your attention, the Michelin-starred chef will also cater the opening night reception. With a densely-packed and competitive lineup of over 50 films ranging in scope from documentary, features and shorts the fest promises a weekend full of entertainment for Chicagoland.

The Festival will showcase films from and about South Asia, spanning countries like India, Pakistan, Bangladesh, Sri Lanka, Nepal, Afghanistan. Through this extensive array of cinema, audiences will be able to take a deep dive into these rich cultures and experience the intimate complexities and stories within them. 

Vikas Khanna’s ‘The Last Color’ to open the 10th annual Chicago South Asian Film Festival

The Opening Night Film: The Last Color is produced, written, and directed by Michelin-starred chef, Vikas Khanna, and stars veteran actor Neena Gupta. The film tells the story of 9-year old Chhoti, a tightrope walker, struggling to survive and make ends meet while she dreams of attending school. In the midst of her toils Chhoti meets Noor, a widow who struggles a life of abstinence and isolation, together their friendship must stand the test of taboos and age-old beliefs that perforate Varanasi, India. Festival manager, Jigar Shah said, “This Opening Night film will shed light on both the complexities and the beauty of certain areas of South Asian Culture.”

The centerpiece for this year, award winning director Hardik Mehta’s Kaamyaab – a story about a washed up side actor from the hey days of Bollywood, who realises that he ‘retired’ on the verge of a rare milestone – he had featured in 499 Hindi films!

Hardik Mehta’s Kaamyaab will be the centerpiece film at the 10th annual festival with Rohena Gera’s Sir as the closing night film.
A Destruction follows the life of 11-year old Humera as she grows up in a village in Pakistan

In this broad palette of emotions and themes are films that are fearless on speaking about social issues within the community, stories about women’s empowerment, social justice and more. Nagarkirtan, tells the story of a boy growing up in rural Bengal who soon realizes he is a woman with the physique of a man forcing him to flee to a world that will accept him for his inner truths. The documentary A Destruction focuses on 11-year old Humera growing up in a coastal village near Karachi, Pakistan, as she dreams of one day becoming a doctor. However, when tensions spill into the village and threaten the only school to shut down, she must face the intense pressure of foregoing her dreams for an arranged marriage.

Another influential gem, at this fest this year, is the film Kaifinama, which details the life and art of Kaifi Azmi, an Urdu progressive poet who became one of the foremost lyricists in the Hindi Film industry out of meager beginnings. His daughter, veteran actress, Shabana Azmi is slated to be in attendance for the fest.

Providing bursts of levity and grace between the full length features are the stellar and bite-sized shorts such as Rahul Chaturvedi’s hilariously quirky Forbidden Tikka Masala, Nirav Bhakta’s HBO APA winner Halwa. Another must-see screening would be Nikhil Singh Rajputt’s Blood Buddhas – a documentary about India’s quest to repatriate cultural, historical artifacts, that “purloined during colonial times,”.

From traditional wide-screen theaters to Virtual Reality booths, Documentary features to short features; Afghanistan to Bangladesh, Nepal to Sri lanka, CSAFF aims to be a conflux of cultures, and ideas, as well as an examination of challenges and change.

Alongside post-film Q&A discussions, award ceremonies, the 10th annual CSAFF promies to be the best ever yet! If a glamorous Red Carpet, a chance to rub shoulders with film makers, actors and cinephiles wasn’t enough, CSAFF knows how to throw down, Chi-town style! The Festival after party will be headlined by celebrity musician DJ Karsh Kale.

It all takes place from September 19th through the 22nd at the VENUE SIX10 in the Spertus Institute. With more than 50 other films that will be screened throughout the weekend at the Showplace ICON Theater and DePaul University.

Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.csaff.org/tickets/

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