MUMBAI (Diya TV) — Karan Johar’s recent release of ‘An Unsuitable Boy’ is among the most anticipated celebrity books in the Indian market. This filmmaker has never been hesitant about disclosing his thoughts or his relationships with fellow contemporaries in the entertainment industry. Revealing a spat with daughter of the legendary Kapoor family, Kareena Kapoor in 2002.
In the very first section of Karan’s book, he addresses all the issues that were involved regarding his sexuality which grabbed eyeballs and then an entire section dedicated to his favorite actor Shahrukh Khan which also details the ups and downs they’ve been through. Hid troubles with DDLJ darling Simran aka Kajal. He talks about he is at peace with the fact that they both no longer share a friendship. “She can never come back to my life. I dont think she wants to either. I never want to have anything to do with them as a unit as well”, Karan added.
This 44 year old reveals details about the spat with Kareena Kapoor, when they had a fallout in 2002. “My first problem was with Kareena. She asked for too much money and we had some kind of a fallout at that time.Kapoor had asked for equal pay as Shahrukh Khan for the movie ‘Kal Ho Na Ho’ the male lead in the movie. This did not sit well with the young Johar who has always had a fascination with Shahrukh and wage equality was a mere mirage in the Indian entertainment industry.
Having had a rough phase with his friendship with Kareena, he continues to narrate as to how he signs up with the bubbly actress Preity Zinta. “I was very hurt. I told my father, ‘Leave that negotiation room’ and I called her. She didn’t take my call, and I said, ‘We’re not taking her.’ And signed Preity Zinta instead. Kareena and I didn’t speak to each other for almost a year.
“For a year, we looked through each other at parties. It was very idiotic. She was a kid; she’s a decade younger than me”, Karan added.
Karan writing, “We were releasing ‘Kal Ho Naa Ho‘ in November. We had shot the film in June, July, August and in September I had to shoot the songs, make the promos and so on.
When Yash Chopra had ailing health, Johar had to head back, to New York as his father (Chopra) received the treatment. That was the time Kapoor called Johar. It was August. They had not spoken for nine months. She called and said, ‘I heard about Yash uncle.’ She got really emotional on the phone, and she said, ‘I love you and I am so sorry I haven’t been in touch to which Johar replied Don’t worry’.”The hatchet had been buried.
Putting their pasts behind, these two superstars have remained good friends since then. Today, they’ve had many projects together including Bombay Talkies, Ek Main Aur Ekk Tu, We Are Family and Gori Tere Pyaar Mein.
IFFLA celebrates 20 years with a focus to mentor the next generation
LOS ANGELES (Diya TV) — IFFLA celebrated their 20th anniversary with familiar faces, overwhelming excitement and new additions to Southern California’s largest Indian and South Asian focused film festival.
Pan Nalin opened the festival with his film Last Film Show, a love letter to cinema and loosely based on his childhood.
“I think IFFLA over the years, it has been like a home in Hollywood. So I was always able to come here and invite people from the industry to see these movies,” said Nalin. “There are producers who usually don’t go to see Indian cinema. So I feel that it’s really important.”
Director Anurag Kashyap returned to host a MasterClass — a way to give back to the festival and fellow filmmakers.
“It is always good to be back here because for me this is where it all started from. And it’s amazing to see that this festival has grown so much and has been sustaining for so long,” said Kashyap.
New filmmakers were honored to be part of the lineup this year, especially after no in-person IFFLA for the last two years.
Hena Asraf, Director of The Return, shares “it feels a little unreal. It feels great! I think especially to be at a festival in person, after over two years.”
“The community is amazing. The welcome is very warm. It feels just so honoring to be a part of this festival and amongst these filmmakers. I can’t wait to see all the other films,” said The Return Editor Esther Shubinski.
It’s that family feeling that makes IFFLA special and keeps filmmakers, attendees, and staff keep coming back.
Actor and director Ravi Kapoor is “just so grateful for this festival. It has been such a supporter of me. And they’ve helped bring the South Asian diasporic community here in LA together as well. Thank god they’ve lasted 20 years.”
Actor & musician Monica Dogra points out “what’s wonderful about IFFLA [is] it’s super niche, South Asians in LA of all places. [And] it’s small enough so you actually see people anyway.”
Actor Pooja Batra added, “I think they’ve always been eclectic with their mix of selection that they bring around here — smaller budget, smaller sort of productions also need a shout out.”
One of the new additions this year is the Spotlight on South Asia.
Festival founder Christina Marouda added this vertical to present films from different countries like Pakistan, Afghanistan and Nepal. “We’re putting a spotlight on projects we want to support,” said Marouda.
The other major new change this year was a live table read of IFFLA alum Kahlil Maskati’s feature script, Alim Uncle, rather than a closing night film. Fawzia Mirza directed the piece.
These changes reflect IFFLA’s commitment to supporting filmmakers while giving audiences more than a viewing experience. In fact, they are able to be part of the filmmaking process.
Marouda says after 20 years, this is IFFLA’s direction moving forward — a full effort to mentor budding filmmakers, while showcasing new films.
Ravi Kapur and Deepti Dawar contributed to this report.
Dive into the IFFLA’s virtual fest as you celebrate the 4th
LOS ANGELES (Diya TV) — In the digital age of streaming services where you can play every movie ever made, festivals too are changing. While in person festivals are going to be a while away, Virtual Film Festivals are booming. IFFLA Over the Years is the festival’s response to the ongoing uncertainty in the film festival world. To that end, the previously announced 2020 lineup will be moved to 2021 so that filmmakers and audiences can join together and share the festival experience in person.
This year’s showcase is a special one, IFFLA Over The Years: 17 days celebrating 17 years of Indian cinema, is way of looking back all of those that have passed through the hallowed grounds. IFFLA brings you the best of yesteryear, with gems like Anurag Kashyap’s legendary godfather-esque Gangs of Wasseypur, the late Irrfan Khans shakespearean classic Maqbool, Lena Khan’s fresh immigrant tale The Tiger Hunter. The bulking roster ranges from narrative features, documentaries, to short films like Neha RT’s hilarious satire The Shailas, the oscar-nominated KUSH, the infuriating Bebaak. With 17 days to fly through the virtual festival will span form June 19th to July 5th leaving you just enough time to experience every joy, ache, bellowing laugh, and uncle-inducing cringe.
“We are beyond thrilled to be presenting this online showcase of alumni films,” said Christina Marouda, IFFLA’s founder. “Traveling through 17 years of programming has allowed us to reconnect with so many of our alumni with whom we share fond memories. We are excited with this opportunity to collaborate with them to offer new audiences worldwide the chance to discover some of the most visionary voices of Indian independent cinema in recent years. We also hope recent IFFLA attendees have a chance to catch up with films from our first decade, and early attendees who could not join us in recent years are able to discover some of the newer gems we’ve presented. There is literally a film for everyone’s appetite.”
“A Female Lens” features films made by and/or centering on women such as Karishma Dev Dube’s Devi (Goddess), starring Priyanka Bose (Lion); “This Is Not Fiction” presents award-winning documentaries including Faiza Ahmad Khan‘s hilarious Supermen of Malegaon; “Stories of Youth” highlights children and adolescence in films such as Rima Das’ festival favorite Village Rockstars, which was India’s Oscar entry for 2019, and Shubhashish Bhutiani‘s Oscar-shortlisted short film Kush. “Diaspora Windows” shares stories of Indian characters living outside of India with highlights including Lena Khan’s The Tiger Hunter and Ruthy Pribar’s The Caregiver.
Over 70 short films are included in “Keeping it Short” with Neha RT‘s uproarious satire The Shaila(s) and Jennifer Rosen‘s piercing Laksh, making their online premiere with this virtual showcase.
Finally, Richie Mehta‘s India In A Day, Shonali Bose‘s Amu, Devashish Makhija‘s Taandav, Tanuj Chopra’s Pia, and Shirley Abraham and Amit Madheshiya’s The Hour of Lynching are new additions to IFFLA’s programming by alumni.
Beat edging towards insanity by filling your days with more stories of hardship, of bliss, more tales of life just beyond the door, of lives just next door, and if they can get through it, so can you.
With 2020 being such an unprecedented year it’s easy to get caught up in the turbulence and feel overwhelmed. But we’ll get through this like we always have. We’ve been through worse, our ancestors used to huddle together in the dark over bonfires in a fang and spear infested world speaking the first stories ever told. Wondrous adventures filled with heroes, villians, grim horrors, stunning beauty and everything in-between. These stories that brought us together, to feel safe around one another, these stories around the bonfire have transformed to become the projector and screens of today. A good story is what gets us through, inspiring us, enchanting us with dreams for tomorrow. So, feeling cooped up edging towards cabin fever?
We’re all right there with you so cancel your next Netflix binge there’s a long weekend of new movies ahead.
Promising to be the film fest for “woke desis”, NYC SAFF to debut this November
NEW YORK (Diya TV) — Promising to be the fest for “contemporary, aware, woke desis”, NYC SAFF is set to make its debut this fall at the Altman building in New York City. After the roaring success of the 5th annual Dallas-Fort Worth South Asian Film Festival (DFW SAFF), JINGO Media presents its second film festival in the United States, the New York City South Asian Film Festival (NYC SAFF), gearing up to make its debut in mid-November at various venues around Chelsea in Manhattan. The first ever New York South Asian Film Festival (NYC SAFF) opens with a collection of gut-punches, knee slappers, and laughing gags. Running over 3 days, be sure to bring out your inner cinephile.
Opening the fest is Rohit Karn Batra’s directorial debut ‘Line of Descent a white-knuckled cop thriller starring Brendan Fraser, and Abhay Deol. The story follows a mafia family dispute caught in the crosshairs of a police officer who guides their tragic downfall, and an arms dealer with a spy on the inside. The centerpiece film is the painstakingly painted ‘Bollywood Rose‘ based on true events, it tells the story of a forbidden love in a ruthless city. ‘Kaamyaab‘ which as recently screened at the the Chicago South Asian Film Festival(CSAFF) makes its way into NYC SAFF followed by other festival favorites like Ephemera, Khejdi, and Agency bolstering an already stellar line up. Expect to meet indie stars Tannishtha Chatterjee & Nawazuddin Siddiqui at the closing night film, Roam Rome Mein, a story that follows Reena who has run away to Italy in order to escape her overly strict parents, however, her brother, Raj in the turmoils of his own awakening sets out on a journey to find her.
The short film selection features Eliezer Vergaras ‘Fractured Souls‘; a baffling self revelation that unfolds as one mans frustration leads him into cascading tragedies. Vick Krishnas ‘Freak‘, a father must cope with unexpected news on his daughters surprise birthday. The feature lineup has a cup for everyone be it feature, documentary, fiction, or nonfiction. ‘Namdev Bhau‘ a man so flustered by the noise of Delhi vows to not speak and undertakes a pilgrimage of silence until a young boy decides to tag along. The disturbing ‘Mai Ghat’ is based on the true story of two police officers who wrongly arrest a boy and tortured him to death. Its a powerhouse film exploring the violent act putting to question our personal and social conscience. It wouldn’t be a proper a film festival without films that challenge us and make us question ourselves.
Discussing topics that are too often swept under the rug like LGBT, womens rights and the societal oppression. ‘The Last Letter‘ follows Mohan, a 70-year old gay man who has remained in the closet, that is, until the comfort he built for himself comes tumbling down. ‘The Unexpected‘ tells the story of a woman who despite achieving everything in life cannot conceive a child. Through its range of films, NYCSAFF aims to challenge, entertain, inspire and enrich.
Presented by Toyota and produced by JINGO Media, a NYC and Dallas-based events and public relations company, the inaugural, three-day festival boasts world, U.S. and New York City premieres of more than 25 shorts, documentaries and feature films focused on the unique stories of the South Asian Diaspora and those of our brothers and sisters back home. JINGO Media is also the parent company of DFW SAFF, which was conceptualized and created in 2015.
“We are so proud to create yet another platform for world-class independent cinema from India, Nepal, Pakistan, Bangladesh, Sri Lanka, Bhutan, Afghanistan and the Maldives,” said Jitin Hingorani, CEO/Principal of JINGO Media, a public relations company that launched in New York City in 2010. “We’re coming full circle with this festival because Manhattan is where it all began for us almost 10 years ago. We are certain that the community-at-large will embrace us and celebrate our joyous homecoming.”
NYC SAFF has also partnered with The India Center Foundation (ICF), a New York City-based nonprofit organization dedicated to the study of the Indian subcontinent, the promotion of its cultural life and the unique relationship between India and the United States. “To partner with NYC SAFF means that ICF is reaching the audience we wish to serve: contemporary, aware, woke desis and lovers of Indian and Diasporic creativity and storytelling. As a filmmaker whose film was so lovingly received at DFW SAFF, I know we are working with a staff who is dedicated and eager to give New Yorkers the film experience they deserve when it comes to screening South Asian cinema. We are looking forward to partnering on great conversations and panels around the films we see together,” said Priya Giri Desai, Founding Director of ICF.
Complete with an opening night red carpet , a curated set of film screenings and a closing night after party, this New York debut of an indie fest, is looking to leave you bruised with heartache, emotional bliss and a belly full of laughter, gasping for more. The first ever New York South Asian Film Festival promises one for the books!
It all goes down from November 15th though the 17th at The Altman Building. With the film screenings occurring throughout the weekend at AMC 34th street 14.
Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.nycsaff.com/tickets
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