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After four decades, Mysore palace witnesses “The Royal Wedding”

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Illuminated Mysore Palace

Illuminated Mysore Palace

MYSORE, India (DIYA TV) After nearly 40 years, Mysore Palace was illuminated and  witnessed the Royal Wedding of the Wadiyar Family on 27th June, 2016 in Mysore. The 27th king of the Wadiyar Family, formerly known “Yaduveer Krishnadutta Chamaraja Wadiyar” tied the knot with Trishika Kumari, princess of Dungarpur in Rajasthan.

The ceremony took place in the “Kalyana Mantapa” of the Amba Vilas Palace. The wedding witnessed over 80 Royal families and a thousand dignitaries from India and other foreign countries. As per the Wadiyar dynasty traditions, the intricate wedding ceremony began with invocations to the royal family deity Hindu Goddess Chamundeshwari followed by 50 other traditional rituals performed by the bride and groom.

The 24 year groom old was made the 27th titular head of the Mysore-Wadiyar family after the passing of Srikantadatta Narasimha Raja Wodeyar. According to the legends, no king of Mysore can have a son to succeed the throne and, Yaduveer too was adopted by the royal family as the successor in a ceremony. He was adopted on February 23, 2015 and later, he was crowned as the 27th Maharaja on May 28, 2015.

Yaduveer Krishna Datta Chamaraja with Mother Pramoda Devi and Trishika Kumari Singh

Yaduveer Krishna Datta Chamaraja with Mother Pramoda Devi and Trishika Kumari Singh

“Maharani Pramoda Devi, Yaduveer’s mother, was very particular that the wedding ceremonies took place according to the wedding customs. Every puja (prayers to god) was in accordance with the scriptures and the tradition of the Mysore royal family”, said M. Lakshminarayana, Secretary to the mysore Palace.

“It is all about following our customs and preserving our heritage”, said one of the royal invitees. The palace is off public limits for over 6 days and the royal wedding is going to pursue according to all the South-Indian customs.

The newly-weds will later make a public appearance and on June 28th, 2016 a special private reception will be held at the Durbar Hall for over 2000 invitees from across the country.  

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Illuminated Mysore Palace

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LA Kings host first Indian cultural night

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LA Kings host first ever Indian Cultural Night

LOS ANGELES (Diya TV) — The Los Angeles Kings hosted their first Indian Cultural Night at the Crypto.com Arena, a new initiative intended to broaden their appeal to a growing demographic. Many of the guests in attendance and the special invitees on hand talked about what the representation of the evening means to them.

Robin Bawa, the first South Asian NHL Player, said “this is great. This is a good idea that the Kings are doing. The first Indian Cultural Night here in the US, and they did a good job – coming down here to be part of this was also a great honor. You know it is all about spreading the word and getting the Indian community involved in these types of things and bringing them out to games.”

“We are here to grow the game, and this allows other people to understand the game and really get embraced by it,” said Dampy Brar, APNA Hockey Co-Founder. “So there’s a lot of South Asian families and population here. When they have nights like this, more will come, more will get introduced to hockey, educate themselves. So to be part of this night and to be able to do what I did today was special.”

Amrit Gill, host of Hockey Night in Canada Punjabi Edition, concurred. “If you can see it, you can be it, as cliche as it sounds. It is one of the most powerful tools in helping create more inclusion not only in sports, but in society as well. So I am over the moon to be here, but this is just the beginning.”

Indian American TikTok stars Kiran and Nivi sang the National Anthem. Kiran explained that this is their “first time attending a game and performing the national anthem.” Nivi added she was “just so grateful to be part of this.”

Indian American actress Sway Bhatia says representation matters in sports and media. Bhatia portrays a hockey player on Disney’s brand new Mighty Ducks TV show.

“Seeing so many people with faces of color, and to be one of those people, is just so empowering,” said Bhatia. And you know, other people in the stadium are able to see who we are and see what we do. I mean we had two amazing brown people of color sing the national anthem, which was so beautiful.”

Organizers are calling the evening a success after a larger than expected turnout and hope this continues to expand the popularity of the game.

Randip Janda, Hockey Night in Canada Punjabi Edition Host, points out that “this is a moment where not only hockey fans are able to celebrate what’s going on tonight but this is a community coming together and celebrating those common bonds whether you’re Indian, whether South Asian or not. A celebration like this, it shows you something. That the rink, where you go and you might be having a bad day but you’re going to celebrate. Win, lose or draw, it should be a party every single time. I think this helps us understand people around us and our communities and hockey can be a vessel of that.”

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OPINION: The TWO INDIAS controversy: Why should you care?

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Vir Das at Kennedy Center

NEW YORK — (Diya TV) On a brisk mid-November evening, Indian-born comedian Vir Das, walked into the historic Kennedy Center in New York. Standing in front of a full house, he began his monologue. He talked about the contrast and touched on many social issues in India, including womens rights, farmer rights, nationalism and poverty.  During his performance he was fully cognizant of the stage he stood on, the gravity and the scale of this stage was with him as he defined himself as an Indian, as he took ownership of ‘his two Indias’. 

Vir Das’ TWO INDIAS monologue at the Kennedy Center in New York

“I represent a great thing, that is turning into a memory,” Das said as he was wrapping up the perfomance.

While the twittersphere reacted with equal amounts of duality, the controversy however is beyond just social media. Some Indian citizens living in India reacted with police complaints. 

Many lauded Das for his courage to speak about these issues, while others reacted in complete contrast questioning why Das would “insult India” in front of a white audience. After the backlash, Das tweeted a clarification.

But there is another response, that mainstream non-ethnic media glazes over, one that paints a different picture. A response by Sanil Gosavi, a Mumbai based entertainer, one with only 300 Twitter followers, nearly 5000 Insta followers, which pails in comparision to Vir Das’s storied career and his 7.8M Twitter & 1M Insta followers.

Gosavi’s twitter bio reads “My tweets might contain facts & opinions that will be offensive to wokes.”

Depending on where you align politically you may disagree with one these gentlemen, but the imporant distinction here is, Gosavi was born and raised in India and still resides there.

Das on the other hand was born in Dehradun, India but was raised in Nigeria, which much like India was colonized by the same crown and finally became a free nation in 1960, thirteen years after India gained its independence. Das went on to then attend Delhi Public school and later graduated from Knox College in Illinois and spent at year at Harvard University. After graduating from Knox, Das was accepted into the Stanislavsky Program of the Moscow Arts Theatre. And until most recently lived in New York till he decided to sell his house and travel.

Sanil Gosavi’s response to Vir Das’ Two Indias

So what it comes down to is, whose Indian duality do you agree with and why you should care. I care because I see a change. A change in the way the next generation of Indian citizens now refuse take insults lying down. A change where being Indian doesn’t always have to begin with first apologizing for your country’s shortcomings and only then daring to even touch upon its greatness. A change where Indian citizens demand the same dignity afforded to other world citizens, despite their imperfections. 

So, while Das maybe spending more time in America or travelling the world, the unapologetic Gosavi is ironically more American in his spirit. 

 

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Dive into the IFFLA’s virtual fest as you celebrate the 4th

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IFFLA Over the Years

LOS ANGELES (Diya TV) — In the digital age of streaming services where you can play every movie ever made, festivals too are changing. While in person festivals are going to be a while away, Virtual Film Festivals are booming.  IFFLA Over the Years is the festival’s response to the ongoing uncertainty in the film festival world. To that end, the previously announced 2020 lineup will be moved to 2021 so that filmmakers and audiences can join together and share the festival experience in person.

This year’s showcase is a special one, IFFLA Over The Years: 17 days celebrating 17 years of Indian cinema, is way of looking back all of those that have passed through the hallowed grounds. IFFLA brings you the best of yesteryear, with gems like Anurag Kashyap’s legendary godfather-esque Gangs of Wasseypur, the late Irrfan Khans shakespearean classic Maqbool, Lena Khan’s fresh immigrant tale The Tiger Hunter. The bulking roster ranges from narrative features, documentaries, to short films like Neha RT’s hilarious satire The Shailas, the oscar-nominated KUSH, the infuriating Bebaak.  With 17 days to fly through the virtual festival will span form June 19th to July 5th leaving you just enough time to experience every joy, ache, bellowing laugh, and uncle-inducing cringe.

 “We are beyond thrilled to be presenting this online showcase of alumni films,” said Christina Marouda, IFFLA’s founder. “Traveling through 17 years of programming has allowed us to reconnect with so many of our alumni with whom we share fond memories. We are excited with this opportunity to collaborate with them to offer new audiences worldwide the chance to discover some of the most visionary voices of Indian independent cinema in recent years. We also hope recent IFFLA attendees have a chance to catch up with films from our first decade, and early attendees who could not join us in recent years are able to discover some of the newer gems we’ve presented. There is literally a film for everyone’s appetite.”

A Female Lens features films made by and/or centering on women such as Karishma Dev Dube’s Devi (Goddess), starring Priyanka Bose (Lion); “This Is Not Fiction presents  award-winning documentaries including Faiza Ahmad Khan‘s hilarious Supermen of MalegaonStories of Youth” highlights children and adolescence in films such as Rima Das’ festival favorite Village Rockstars, which was India’s Oscar entry for 2019, and Shubhashish Bhutiani‘s Oscar-shortlisted short film Kush. “Diaspora Windows” shares stories of Indian characters living outside of India with highlights including Lena Khan’s The Tiger Hunter and Ruthy Pribar’s The Caregiver.

Over 70 short films are included in “Keeping it Short” with Neha RT‘s uproarious satire The Shaila(s) and Jennifer Rosen‘s piercing Laksh, making their online premiere with this virtual showcase.

Finally, Richie Mehta‘s India In A Day, Shonali Bose‘s Amu, Devashish Makhija‘s Taandav, Tanuj Chopra’s Pia, and Shirley Abraham and Amit Madheshiya’s The Hour of Lynching are new additions to IFFLA’s programming by alumni.

Legedary fests such as Sundance and Cannes, set the trend for the virtual streaming fest and now we are seeing many Indian film festivals follow suit, IFFLA, NYSAFF & DYWSAFF.

Beat edging towards insanity by filling your days with more stories of hardship, of bliss, more tales of life just beyond the door, of lives just next door, and if they can get through it, so can you.

With 2020 being such an unprecedented year it’s easy to get caught up in the turbulence and feel overwhelmed. But we’ll get through this like we always have.  We’ve been through worse, our ancestors used to huddle together in the dark over bonfires in a fang and spear infested world speaking the first stories ever told. Wondrous adventures filled with heroes, villians, grim horrors, stunning beauty and everything in-between. These stories that brought us together, to feel safe around one another, these stories around the bonfire have transformed to become the projector and screens of today. A good story is what gets us through, inspiring us, enchanting us with dreams for tomorrow. So, feeling cooped up edging towards cabin fever?

We’re all right there with you so cancel your next Netflix binge there’s a long weekend of new movies ahead.

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