Bold, stunning and eloquent, ‘Angry Indian Goddesses’ sets the tone for IFFLA 2016

The ‘Kali Pose’ , Diya TV’s Kari Lane poses with the ‘Goddesses’ from ‘Angry Indian Goddesses’

LOS ANGELES (Diya TV) The Indian Film Festival of Los Angeles kicked off the fest with a bold and beautifully shot film, by IFFLA alum and award-winning director Pan Nalin, ‘Angry Indian Goddesses’. Before the screening the Hollywood Arclight seemed to get an injection of Bollywood. Filmmakers walked down the red carpet, showcasing the best of Indian and contemporary fashion, abuzz with talk of the theme that has emerged at IFFLA this year, ‘Female Focussed Films’.

Nalin’s opening night creation is a largely improvised film with women who act as real people rather than characters. The film starts off with a group of women descending upon Goa to gather at the request of their friend ‘Frieda‘. All of the women are college friends with the exception of Frieda’s ex-boss and her housekeeper. It turns out Frieda has a secret; she is getting married. However, there is some mystery around whom her betrothed is. There is dancing, talking, teasing, confrontations and bonding. The characters swear, smoke, talk about sex and just be real women, revealing the most natural yet subdued parts of an Indian woman’s mind, that are either relegated to character roles or just simply not portrayed in mainstream cinema.

The film is set in Goa and the cinematography is just right, as if it were a canvas for film, drawing attention to the story and the message. The seven women are in a house together being and doing what girlfriends do. The friendship and the chemistry between the characters is certainly relatable for many women. The tight shots on faces, details, reactions, expose the raw emotions the characters feel drawing you in as if you are with them. The seven women and their personal stories come together effortlessly through less dialogue and more emotion, a sense of being understood for who they are, who and what they want to be, and not being defined by the cultural constructs of what the society or the State wants them to be. They question these norms, these standards and laws and the story picks up steam as one of the characters ‘Frieda‘ finally reveals to her friends who she is getting married to.

Just when you start to laugh and be silly and enjoy the escape to Goa, Nalin confronts you with a bold truth, one that is feared, yet unexpected. What’s even more unexpected is the ending, it leaves you hopeful, yet glaringly aware of the brutal reality that must be confronted.

The Indian Film Festival has started off with a big and bold film and is expected to keep the trend going with a strong repertoire of films this year with female filmmakers and films that address issues women face not just in India but around the world.

One such film is Parched, a film about female subjugation in rural India, the thriving misogyny & the stark contrast in gender inequality.

The festival is being held all week long at the Arclight Cinemas in Hollywood and will host the Closing Night Red Carpet before the showing of ‘Waiting‘, starring Naseeruddin Shah & Kalki Koechlin, directed by Anu Menon.