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Promising baller Palpreet Singh Brar to get NBA tryout

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Palpreet Singh Brar

Palpreet Singh Brar

NEW YORK (Diya TV) — Palpreet Singh Brar, a six-foot-eight power forward of Punjabi descent, and a penchant to dominate the post on a basketball court, has had one of the most unique basketball journeys in the world. As a teenager, he regularly went unnoticed by the established basketball community in India — that was until his breakout performance for the country’s junior squad at the U18 FIBA Asia Championship in Mongolia in 2012. Brar scored over 21 points-per-game, and became the tournament’s third leading scorer. Suddenly, he had the attention of Asian scouts, and had been labeled India’s next, and possibly first, breakout basketball star.

Just a matter of months ago, Brar’s opportunity multiplied, tenfold — the NBA, partnered with ACG Worldwide to launch the ACG-NBA Jump program, which searches out the best basketball talent India has to offer between the ages of 18-22. After rigorous searches produced a healthy amount of candidates, the national finals of the ACG-NBA Jump were held in Greader Noida. Brar, 21, emerged as the tournament champion, and with that, an opportunity to be trained by NBA level coaches and participate in NBA D-league tryouts later this year.

“I am thankful to ACG NBA Jump for this,” Brar said, “I will focus on becoming a stronger player now that I am going to compete with some of the best in the world.”

Three-time NBA champion, and former NBA head coach Brian Shaw was among the scouts in attendance at the ACG tournament. In his opinion, Brar stood alone as by far the best player he’d seen on the trip, where he also served as a judge.

“His feel for the game and understanding, I could tell he grasps it,” Shaw said, “Palpreet Singh, we all thought, was the guy who had the best chance to succeed.”

The tournament and outreach are just the latest in a growing trend from the NBA to expand its brand into other countries, and specifically into India. Yannick Colaco, NBA India’s Managing Director, said the league hopes to make the tournament an annual event, and hopes to foster its continued growth in the country.

“ACG-NBA Jump has given basketball playing youth in India a pathway to professional ranks,” Colaco said. “We are committed to growing the program in the years to come. While Palpreet Singh has been selected for a national tryout in the NBA D-League, the entire pool [the final 32] will be a part of Elite Talent Club and NBA will monitor their progress on a regular basis.”

Stateside, numerous NBA teams have begun a campaign of embracing their South Asian fans, and the culture they come from. As one of the country’s most progressive sports leagues, and with more than three million Indian Americans living in the U.S., teams such as the Orlando Magic, Philadelphia 76ers, and the defending champion Golden State Warriors this year continued their annual traditions of hosting Indian-Heritage Night at their games.

The Warriors Indian Heritage night — deemed Bollywood Night — will take place on Wednesday, and it’s sure to be a full house, just one game after Golden State claimed yet another record, winning 46 consecutive games on their home court. The previous record of 45 games was set by the 1996 Chicago Bulls.

TIBCO software founder Vivek Ranadive recently became the first Indian-American majority owner in NBA history, when he purchased the Sacramento Kings in 2013. His vision brought “Bollywood Night” to Oracle Arena, when he was a minority shareholder of the Warriors, and has since continued the tradition 90 miles up the road with the Kings.

Last month’s NBA All Star Game was held outside the U.S. for the first time in league history, and commissioner Adam Silver discussed the idea of expanding the game internationally as the NBA’s brand continues to grow.

“The billion followers of the NBA on social media include many millions of our fans in India as well,” Silver said. “We have about a 10-person office in Mumbai, and we even have an owner, Vivek Ranadive, who was born in Mumbai.”

“We continue to look at expanding the number of regular season and preseason games we play overseas. We just want to be very careful on how we approach it,” Silver said. “I certainly think it’s worked very effectively to play regular season games in London, building some time off for the players once they return. I think our preseason schedule has worked out very well in Asia and Europe.”

Silver recognizes the NBA is in a unique position to share its product — it is the only North American professional sports league which carries a significant following in Asia. League executives have already begun exploring the possibilities of playing exhibition games in Asia, Silver said.

Arts

Dive into the IFFLA’s virtual fest as you celebrate the 4th

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IFFLA Over the Years

LOS ANGELES (Diya TV) — In the digital age of streaming services where you can play every movie ever made, festivals too are changing. While in person festivals are going to be a while away, Virtual Film Festivals are booming.  IFFLA Over the Years is the festival’s response to the ongoing uncertainty in the film festival world. To that end, the previously announced 2020 lineup will be moved to 2021 so that filmmakers and audiences can join together and share the festival experience in person.

This year’s showcase is a special one, IFFLA Over The Years: 17 days celebrating 17 years of Indian cinema, is way of looking back all of those that have passed through the hallowed grounds. IFFLA brings you the best of yesteryear, with gems like Anurag Kashyap’s legendary godfather-esque Gangs of Wasseypur, the late Irrfan Khans shakespearean classic Maqbool, Lena Khan’s fresh immigrant tale The Tiger Hunter. The bulking roster ranges from narrative features, documentaries, to short films like Neha RT’s hilarious satire The Shailas, the oscar-nominated KUSH, the infuriating Bebaak.  With 17 days to fly through the virtual festival will span form June 19th to July 5th leaving you just enough time to experience every joy, ache, bellowing laugh, and uncle-inducing cringe.

 “We are beyond thrilled to be presenting this online showcase of alumni films,” said Christina Marouda, IFFLA’s founder. “Traveling through 17 years of programming has allowed us to reconnect with so many of our alumni with whom we share fond memories. We are excited with this opportunity to collaborate with them to offer new audiences worldwide the chance to discover some of the most visionary voices of Indian independent cinema in recent years. We also hope recent IFFLA attendees have a chance to catch up with films from our first decade, and early attendees who could not join us in recent years are able to discover some of the newer gems we’ve presented. There is literally a film for everyone’s appetite.”

A Female Lens features films made by and/or centering on women such as Karishma Dev Dube’s Devi (Goddess), starring Priyanka Bose (Lion); “This Is Not Fiction presents  award-winning documentaries including Faiza Ahmad Khan‘s hilarious Supermen of MalegaonStories of Youth” highlights children and adolescence in films such as Rima Das’ festival favorite Village Rockstars, which was India’s Oscar entry for 2019, and Shubhashish Bhutiani‘s Oscar-shortlisted short film Kush. “Diaspora Windows” shares stories of Indian characters living outside of India with highlights including Lena Khan’s The Tiger Hunter and Ruthy Pribar’s The Caregiver.

Over 70 short films are included in “Keeping it Short” with Neha RT‘s uproarious satire The Shaila(s) and Jennifer Rosen‘s piercing Laksh, making their online premiere with this virtual showcase.

Finally, Richie Mehta‘s India In A Day, Shonali Bose‘s Amu, Devashish Makhija‘s Taandav, Tanuj Chopra’s Pia, and Shirley Abraham and Amit Madheshiya’s The Hour of Lynching are new additions to IFFLA’s programming by alumni.

Legedary fests such as Sundance and Cannes, set the trend for the virtual streaming fest and now we are seeing many Indian film festivals follow suit, IFFLA, NYSAFF & DYWSAFF.

Beat edging towards insanity by filling your days with more stories of hardship, of bliss, more tales of life just beyond the door, of lives just next door, and if they can get through it, so can you.

With 2020 being such an unprecedented year it’s easy to get caught up in the turbulence and feel overwhelmed. But we’ll get through this like we always have.  We’ve been through worse, our ancestors used to huddle together in the dark over bonfires in a fang and spear infested world speaking the first stories ever told. Wondrous adventures filled with heroes, villians, grim horrors, stunning beauty and everything in-between. These stories that brought us together, to feel safe around one another, these stories around the bonfire have transformed to become the projector and screens of today. A good story is what gets us through, inspiring us, enchanting us with dreams for tomorrow. So, feeling cooped up edging towards cabin fever?

We’re all right there with you so cancel your next Netflix binge there’s a long weekend of new movies ahead.

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Promising to be the film fest for “woke desis”, NYC SAFF to debut this November

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NYCSAFF Film Line-up

NEW YORK (Diya TV) — Promising to be the fest for “contemporary, aware, woke desis”, NYC SAFF is set to make its debut this fall at the Altman building in New York City. After the roaring success of the 5th annual Dallas-Fort Worth South Asian Film Festival (DFW SAFF), JINGO Media presents its second film festival in the United States, the New York City South Asian Film Festival (NYC SAFF), gearing up to make its debut in mid-November at various venues around Chelsea in Manhattan. The first ever New York South Asian Film Festival (NYC SAFF) opens with a collection of gut-punches, knee slappers, and laughing gags. Running over 3 days, be sure to bring out your inner cinephile.

Opening the fest is Rohit Karn Batra’s directorial debut Line of Descent a white-knuckled cop thriller starring Brendan Fraser, and Abhay Deol. The story follows a mafia family dispute caught in the crosshairs of a police officer who guides their tragic downfall, and an arms dealer with a spy on the inside. The centerpiece film is the painstakingly painted ‘Bollywood Rose‘ based on true events, it tells the story of a forbidden love in a ruthless city. ‘Kaamyaab‘ which as recently screened at the the Chicago South Asian Film Festival(CSAFF) makes its way into NYC SAFF followed by other festival favorites like Ephemera, Khejdi, and Agency bolstering an already stellar line up. Expect to meet indie stars Tannishtha Chatterjee & Nawazuddin Siddiqui at the closing night film, Roam Rome Mein, a story that follows Reena who has run away to Italy in order to escape her overly strict parents, however, her brother, Raj in the turmoils of his own awakening sets out on a journey to find her.

The short film selection features Eliezer Vergaras ‘Fractured Souls‘; a baffling self revelation that unfolds as one mans frustration leads him into cascading tragedies. Vick Krishnas ‘Freak‘, a father must cope with unexpected news on his daughters surprise birthday. The feature lineup has a cup for everyone be it feature, documentary, fiction, or nonfiction. ‘Namdev Bhau‘ a man so flustered by the noise of Delhi vows to not speak and undertakes a pilgrimage of silence until a young boy decides to tag along. The disturbing Mai Ghat’ is based on the true story of two police officers who wrongly arrest a boy and tortured him to death. Its a powerhouse film exploring the violent act putting to question our personal and social conscience. It wouldn’t be a proper a film festival without films that challenge us and make us question ourselves.

Discussing topics that are too often swept under the rug like LGBT, womens rights and the societal oppression.The Last Letter‘ follows Mohan, a 70-year old gay man who has remained in the closet, that is, until the comfort he built for himself comes tumbling down. The Unexpected tells the story of a woman who despite achieving everything in life cannot conceive a child. Through its range of films, NYCSAFF aims to challenge, entertain, inspire and enrich.

Presented by Toyota and produced by JINGO Media, a NYC and Dallas-based events and public relations company, the inaugural, three-day festival boasts world, U.S. and New York City premieres of more than 25 shorts, documentaries and feature films focused on the unique stories of the South Asian Diaspora and those of our brothers and sisters back home. JINGO Media is also the parent company of DFW SAFF, which was conceptualized and created in 2015. 

“We are so proud to create yet another platform for world-class independent cinema from India, Nepal, Pakistan, Bangladesh, Sri Lanka, Bhutan, Afghanistan and the Maldives,” said Jitin Hingorani, CEO/Principal of JINGO Media, a public relations company that launched in New York City in 2010. “We’re coming full circle with this festival because Manhattan is where it all began for us almost 10 years ago. We are certain that the community-at-large will embrace us and celebrate our joyous homecoming.” 

NYC SAFF has also partnered with The India Center Foundation (ICF), a New York City-based nonprofit organization dedicated to the study of the Indian subcontinent, the promotion of its cultural life and the unique relationship between India and the United States. “To partner with NYC SAFF means that ICF is reaching the audience we wish to serve: contemporary, aware, woke desis and lovers of Indian and Diasporic creativity and storytelling. As a filmmaker whose film was so lovingly received at DFW SAFF, I know we are working with a staff who is dedicated and eager to give New Yorkers the film experience they deserve when it comes to screening South Asian cinema. We are looking forward to partnering on great conversations and panels around the films we see together,” said Priya Giri Desai, Founding Director of ICF.

Complete with an opening night red carpet , a curated set of film screenings and a closing night after party, this New York debut of an indie fest, is looking to leave you bruised with heartache, emotional bliss and a belly full of laughter, gasping for more. The first ever New York South Asian Film Festival promises one for the books!

It all goes down from November 15th though the 17th at The Altman Building. With the film screenings occurring throughout the weekend at AMC 34th street 14.

Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.nycsaff.com/tickets

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Celebrity Chef, Vikas Khanna’s ‘The Last Color’ to open 10th annual CSAFF

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Celebrity Chef, Vikas Khanna's 'The Last Color' to open 10th annual CSAFF

CHICAGO (Diya TV) – Celebrity Chef, Vikas Khanna’s lastest film venture, ‘The Last Color’ will open the 10th annual Chicago South Asian Film Festival (CSAFF). And if that didn’t get your attention, the Michelin-starred chef will also cater the opening night reception. With a densely-packed and competitive lineup of over 50 films ranging in scope from documentary, features and shorts the fest promises a weekend full of entertainment for Chicagoland.

The Festival will showcase films from and about South Asia, spanning countries like India, Pakistan, Bangladesh, Sri Lanka, Nepal, Afghanistan. Through this extensive array of cinema, audiences will be able to take a deep dive into these rich cultures and experience the intimate complexities and stories within them. 

Vikas Khanna’s ‘The Last Color’ to open the 10th annual Chicago South Asian Film Festival

The Opening Night Film: The Last Color is produced, written, and directed by Michelin-starred chef, Vikas Khanna, and stars veteran actor Neena Gupta. The film tells the story of 9-year old Chhoti, a tightrope walker, struggling to survive and make ends meet while she dreams of attending school. In the midst of her toils Chhoti meets Noor, a widow who struggles a life of abstinence and isolation, together their friendship must stand the test of taboos and age-old beliefs that perforate Varanasi, India. Festival manager, Jigar Shah said, “This Opening Night film will shed light on both the complexities and the beauty of certain areas of South Asian Culture.”

The centerpiece for this year, award winning director Hardik Mehta’s Kaamyaab – a story about a washed up side actor from the hey days of Bollywood, who realises that he ‘retired’ on the verge of a rare milestone – he had featured in 499 Hindi films!

Hardik Mehta’s Kaamyaab will be the centerpiece film at the 10th annual festival with Rohena Gera’s Sir as the closing night film.
A Destruction follows the life of 11-year old Humera as she grows up in a village in Pakistan

In this broad palette of emotions and themes are films that are fearless on speaking about social issues within the community, stories about women’s empowerment, social justice and more. Nagarkirtan, tells the story of a boy growing up in rural Bengal who soon realizes he is a woman with the physique of a man forcing him to flee to a world that will accept him for his inner truths. The documentary A Destruction focuses on 11-year old Humera growing up in a coastal village near Karachi, Pakistan, as she dreams of one day becoming a doctor. However, when tensions spill into the village and threaten the only school to shut down, she must face the intense pressure of foregoing her dreams for an arranged marriage.

Another influential gem, at this fest this year, is the film Kaifinama, which details the life and art of Kaifi Azmi, an Urdu progressive poet who became one of the foremost lyricists in the Hindi Film industry out of meager beginnings. His daughter, veteran actress, Shabana Azmi is slated to be in attendance for the fest.

Providing bursts of levity and grace between the full length features are the stellar and bite-sized shorts such as Rahul Chaturvedi’s hilariously quirky Forbidden Tikka Masala, Nirav Bhakta’s HBO APA winner Halwa. Another must-see screening would be Nikhil Singh Rajputt’s Blood Buddhas – a documentary about India’s quest to repatriate cultural, historical artifacts, that “purloined during colonial times,”.

From traditional wide-screen theaters to Virtual Reality booths, Documentary features to short features; Afghanistan to Bangladesh, Nepal to Sri lanka, CSAFF aims to be a conflux of cultures, and ideas, as well as an examination of challenges and change.

Alongside post-film Q&A discussions, award ceremonies, the 10th annual CSAFF promies to be the best ever yet! If a glamorous Red Carpet, a chance to rub shoulders with film makers, actors and cinephiles wasn’t enough, CSAFF knows how to throw down, Chi-town style! The Festival after party will be headlined by celebrity musician DJ Karsh Kale.

It all takes place from September 19th through the 22nd at the VENUE SIX10 in the Spertus Institute. With more than 50 other films that will be screened throughout the weekend at the Showplace ICON Theater and DePaul University.

Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.csaff.org/tickets/

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