(DIYA TV) — Sports are undoubtedly an important faction of American culture — more folks tune into the Super Bowl each year than vote. With more than three million Indian Americans living in the United States, one of the country’s most progressive professional sports leagues is taking notice. Last month, three NBA teams — the Sacramento Kings, Orlando Magic and Philadelphia 76ers — continued annual traditions of hosting Indian-themed heritage nights. During the league’s all star weekend festivities in Toronto, commissioner Adam Silver said the NBA plans to start putting more effort into developing basketball in India.
The decision and attention could be shining brighter than ever because of Sacramento Kings owner, Vivek Ranadive —the TIBCO software became the first Indian owner in the league’s history, after he sold his ownership stake in the Golden State Warriors to buy a majority share 90 miles north in Sacramento. Before his arrival in Sacramento, Vivek began hosting annual ‘Bollywood Night’ themed games with the Warriors — in 2011, fans received commemorative t-shirts with the phrase, “Got Curry?” in honor of their franchise player, Stephen Curry.
Though he’s moved on, the culture is much different now at Oracle Arena than when Vivek was part of the team — the waitlist for season tickets exceeds double-digits in the amount of years. Golden State are of course the defending NBA champions, and carry with them the now well known and reigning league MVP, Stephen Curry. This year’s edition of Bollywood Night will take place against the Utah Jazz on March 9.
When Vivek and the Kings hosted their Bollywood Night last month, Indian-origin Miss America Nina Davulari was in attendance. Players’ names were announced in Hindi during the pre-game ceremonies, and a scintillating introduction video to reach out to fans from Mumbai to Sacramento. The team’s dance team also donned Indian-themed attire, and even the Kings’ mascot, Slamson the lion.
During the league’s first all star game to ever be held outside of the United States, commissioner Adam Silver said he was open to the idea of expanding the game internationally as its popularity continues to grow.
“The billion followers of the NBA on social media include many millions of our fans in India as well,” Silver said. “We have about a 10-person office in Mumbai, and we even have an owner, Vivek Ranadive, who was born in Mumbai. We have a relationship with the Reliance Foundation to work on grassroots basketball for boys and girls. We have a terrific television arrangement with the Sony Broadcasting Company in India, and we have plans to do even more.”
The NBA has traveled overseas in the past — in 1978, an exhibition game was played in Israel, and the league has since conducted 160 games internationally. “We continue to look at expanding the number of regular season and preseason games we play overseas. We just want to be very careful on how we approach it,” Silver said. “I certainly think it’s worked very effectively to play regular season games in London, building some time off for the players once they return. I think our preseason schedule has worked out very well in Asia and Europe.”
Silver recognizes the NBA is in a unique position to share its product — it is the only North American professional sports league which carries a significant following in Asia. League executives have already begun exploring the possibilities of playing exhibition games in Asia, Silver said.
OPINION: 11 things you might have missed about this years OSCARS
I’ve watched darned near every one of The Academy Awards since the early 1980s. Here goes.
1. BROADCAST: Compared to most Oscars broadcasts this millennium, this one was “pretty, pretty, pretty, pretty good.” Of course, it runs long. By the time Billie Eilish finished singing “Yesterday,” it was practically yesterday when the ceremony began. Her rendition of the world’s most covered song ever was decent. It’s hard for that song not to sound good. And by reaching back to 1965, she more than made up for not knowing who Van Halen is… something far more understandable than it seems at first glance. (Subject of a future post.) Pretty cool that Tom Hanks announced the new Academy Museum at Fairfax and Wilshire, though that intersection rings ominously to us hip-hop heads. #RestInPeaceToMyMFBiggieSmalls
2. DIVERSITY: Perhaps it cannot be stated enough that when society swings too far one way, the response to the shift isn’t great, either. Not to kick things off with politics (since movie stars never include that in their speeches) but one of the most insightful lines I read in the last year is that Donald J. Trump has made everything worse. The Republican Party is in bad shape, but so are the Democrats, since they’ve collectively chosen to veer so far left to counterbalance the swing to the right. Similarly, when the Academy nominates almost all white people, Oscar Night itself feels it must overcompensate by giving people non-award stage time. It’s good that there’s diversity up there, but then you end up with weird, inane choices like Janelle Monáe’s opening number. I’ve long enjoyed her acting and her singing; I’ve heard first-hand that she’s incredible live and I can hardly take my eyes off of her because she’s so beautiful. But showcasing a relatively obscure film… dressing people up like Jokers and as soldiers… awkwardly putting (mostly white) people on the spot to sing along… this was just strange. Let’s showcase women of color for their talents onscreen so we don’t have to put us all in this uncomfortable position, including the anxiety I’ll now feel for critiquing (not even criticizing) a WoC.
3. GLUE: Bring back a host. Even if one host did the first half and another the second or two people co-host, having that anchor is key. Sure, they largely disappear after their opening monologues, but they’re the through-line. This procession of one person’s introducing the next who sometimes even introduces a NEXT made for a weird chain of events. Beyond the functional value, there’s a strong case to be made for jokes. We can evaluate them immediately. I think a lot of us had no idea what to make of Monáe’s opening. Most people just go, “OK, I guess that was good.” But with comedy, at least you know where you stand.
4. NOSTALGIA: The longevity of stars who made their debuts as far back as the ’80s is incredible. Brad Pitt’s speech was a nice romp down Memory Lane to remind us of how lucky we are to have these people in our lives. Or at least on our screens. I don’t feel the same about most actors who’ve debuted post-2000. Although I loved Marilyn Manson as lead actor in Marriage Story.
5. SINGING, PART I: I looked up whether this was the worst year for Best Original Song. Maybe there was an exception in there, but collectively, they were atrocious. Even Elton John’s was so boring. And don’t get me started on Randy Newman. Once upon a time, he served a purpose. His voice is etched into my memory from many eighties movies but this man did not need to continue lulling us to sleep in yet another decade.
6. SINGING, PART II: The Oscars and Emmys face a unique challenge: they’re rewarding recorded acting, whereas the Tonys and the Grammys reward live performance. You can’t exactly make actors go up and act out a scene… though actually, I would like to see that. So, Elton and Randy notwithstanding, keep the live performances AND keep at least two montages: In Memoriam and some kind of themed glance-back. We movie-goers are suckers for nostalgia and investing a few minutes in this provides a substantial emotional ROI. (Remember when I talked about nostalgia…?)
7. SHADY AFTERMATH: Eminem killed it. I found all of the snarky online dialogue infuriating. Indeed, the fast news cycle has ruined things. You used to read Oscars reviews all week, but if you don’t put out your thoughts within 24 hours, the world has moved on. There may be some upsides to that (though the lack of mentions of Australia show another downside), but one clear negative is that people go for the quick kill instead of even a shred of circumspection. It took me a long time to get into Eminem — I loathed him when he first debuted in 1999 — but then he quickly became one of my favorite all-time musicians. I’d still say JAY-Z is the greatest (even if the best is a Biggie/2Pac tossup) but Eminem is a close second. #TossItUp So, given that the man has more fame and success than most of the actors in that hall, yes, I think he’s the kind of evergreen personality we’re lucky to see anywhere, anytime… even if it is random. But it’s not random. He dropped a new album last week and became the sixth artist in history to debut 10 albums at #1. Dude’s a legend — and his performance was arguably the highlight of the evening. If you read the reviews, the Fake News would have you believe he bombed. In fact, most people of all ages, races, and genders were bobbing their heads and many were singing along to “Lose Yourself,” arguably the song of the 2000s. Again, it seems easy to throw shade at a straight white man… why is HE here? Well, why the hell was Blac Chyna there? Sure, she was on the Red Carpet and not onstage, but all she did was marry and divorce a Kardashian. The reaction to that? “You go, girl. Get it.” No. Divorcees of any gender shouldn’t be punished but that doesn’t mean we need to reward it, either. Sure, Eminem used the Other F-Word far too much early in his career, but he reconciled with Elton John (whose song from last night I do NOT want to hear 18 years from now). Joaquin Phoenix hit the nail on the head when he said that we’re at our best not when we cancel each other but when we help each other grow. Like how Janelle Monáe makes me grow.
8. PAIR: “I’m seeing Red.” — Rudolph. Give it up for Maya Rudolph and Kristen Wiig. Not sure why Wiig’s comedy career hasn’t continued to skyrocket. Bridesmaids is arguably the last great comedic movie; she and Rudolph both killed it in that as well as last night. Granted, they’ve worked together much more than Rock & Martin, but they had comedic chemistry in all the ways the men didn’t.
9. LAMESAUCE: Shame on whoever’s decision it was to include the line, “All women are superheroes!” I turned to Harsha, winced, and said, “Dude, that is SO patronizing.” Lo and behold, I read this online: “… immediately after making Brie Larson, Sigourney Weaver, and Gal Gadot stand onstage and say things like, ‘All women are superheroes!’ All women should not be forced to participate in pandering, infantilizing bullish!t!” I don’t know who forced whom and don’t know if it’s infantilizing, but it’s pandering… and patronizing… and demeaning. And it’s not true. No group of people is a bunch of superheroes. Not women, not men, not straight, not gay, not trans, not cis, not whites, not Indians, not Eskimos. Well, except the Justice League. And the people next to me on the plane who sit for six hours without getting up to go to the bathroom. WHO ARE THESE PEOPLE? They’re superheroes. Offer up something empowering like, “All women who go out there everyday and work and try to make this world a better place — whether you’re a bus driver or a Hollywood actor — even when you’re not being recognized and you have to work twice as hard as a man… you’re superheroes and we see you.” Maybe I didn’t nail the wording, and in typical Rajiv fashion, it’s longer, but at least make sure what you’re saying is true.
10. BROWN TOWN: South Asians performances weren’t featured onscreen, either, but it was dope to see Utkarsh Ambudkar’s freestyling. Dude once took a dump at my house. For more on that and more of his freestyling (including cutting me up pretty well), check out WatchRajiv.com. Fitting coincidence that Mindy Kaling handed out the award for Hair Love. Moments earlier, Chris Rock had appeared to “not-host”; it was his documentary, Good Hair, that told the world most black women’s extensions come from India. Dope to see some Ohio representation, too, with American Factory. OH-!
11. ENDING: Congratulations to Parasite! Loved 1917 (thought it would win) but Bong Joon-ho is this year’s Roberto Benigni. And that Asian auntie… my wife: “This is like having your Mom onstage.” What a way for the Oscars to remain relevant, address #OscarsSoWhite, and surprise us all… 92 years in. I heard Koreatown was going off last night… I can’t even imagine the parking situation. (No, that’s not an Asian joke… it’s a local LA joke.) In conclusion, we had no host but we did have a Parasite. A little biology humor for you.
And… just as I was about to hit Post, a news notification told me this year’s ratings fell to a record low. “That’s Life.” — Joker
Rajiv Satyal is a comedian and claims to be the world’s best movie quoter. He resides in Los Angeles.
By 52-48 Vote, Senate acquits President Trump
WASHINGTON (Diya TV) — Along party lines as expected, President Trump was acquitted by the Republican-controlled Senate 52 to 48 on the two articles of impeachment brought forth by the Democratic-controlled House of Representatives. An intriguing footnote to this partisan battle is that former Republican Presidential nominee and current Utah Senator Mitt Romney was the only member of the GOP to vote to convict Trump, the first Senator in American history ever to vote to remove a President in his own party.
59 year old Munir Hawara received 11 years and eight months in prison for hiring two people to set fires at a competing liquor store owned by Jaljit Singh Rana in Riverside, California. The two men hired to do the job, Willis Simmons and Randy Ramirez are already serving a prison sentence for throwing molotov cocktails into the store.
Tennis standout Rajeev Ram continues his stellar play, winning the Australian Open Doubles Title with his partner Joe Salisbury.
Ravi Kapur contributed to this report.
Promising to be the film fest for “woke desis”, NYC SAFF to debut this November
NEW YORK (Diya TV) — Promising to be the fest for “contemporary, aware, woke desis”, NYC SAFF is set to make its debut this fall at the Altman building in New York City. After the roaring success of the 5th annual Dallas-Fort Worth South Asian Film Festival (DFW SAFF), JINGO Media presents its second film festival in the United States, the New York City South Asian Film Festival (NYC SAFF), gearing up to make its debut in mid-November at various venues around Chelsea in Manhattan. The first ever New York South Asian Film Festival (NYC SAFF) opens with a collection of gut-punches, knee slappers, and laughing gags. Running over 3 days, be sure to bring out your inner cinephile.
Opening the fest is Rohit Karn Batra’s directorial debut ‘Line of Descent a white-knuckled cop thriller starring Brendan Fraser, and Abhay Deol. The story follows a mafia family dispute caught in the crosshairs of a police officer who guides their tragic downfall, and an arms dealer with a spy on the inside. The centerpiece film is the painstakingly painted ‘Bollywood Rose‘ based on true events, it tells the story of a forbidden love in a ruthless city. ‘Kaamyaab‘ which as recently screened at the the Chicago South Asian Film Festival(CSAFF) makes its way into NYC SAFF followed by other festival favorites like Ephemera, Khejdi, and Agency bolstering an already stellar line up. Expect to meet indie stars Tannishtha Chatterjee & Nawazuddin Siddiqui at the closing night film, Roam Rome Mein, a story that follows Reena who has run away to Italy in order to escape her overly strict parents, however, her brother, Raj in the turmoils of his own awakening sets out on a journey to find her.
The short film selection features Eliezer Vergaras ‘Fractured Souls‘; a baffling self revelation that unfolds as one mans frustration leads him into cascading tragedies. Vick Krishnas ‘Freak‘, a father must cope with unexpected news on his daughters surprise birthday. The feature lineup has a cup for everyone be it feature, documentary, fiction, or nonfiction. ‘Namdev Bhau‘ a man so flustered by the noise of Delhi vows to not speak and undertakes a pilgrimage of silence until a young boy decides to tag along. The disturbing ‘Mai Ghat’ is based on the true story of two police officers who wrongly arrest a boy and tortured him to death. Its a powerhouse film exploring the violent act putting to question our personal and social conscience. It wouldn’t be a proper a film festival without films that challenge us and make us question ourselves.
Discussing topics that are too often swept under the rug like LGBT, womens rights and the societal oppression. ‘The Last Letter‘ follows Mohan, a 70-year old gay man who has remained in the closet, that is, until the comfort he built for himself comes tumbling down. ‘The Unexpected‘ tells the story of a woman who despite achieving everything in life cannot conceive a child. Through its range of films, NYCSAFF aims to challenge, entertain, inspire and enrich.
Presented by Toyota and produced by JINGO Media, a NYC and Dallas-based events and public relations company, the inaugural, three-day festival boasts world, U.S. and New York City premieres of more than 25 shorts, documentaries and feature films focused on the unique stories of the South Asian Diaspora and those of our brothers and sisters back home. JINGO Media is also the parent company of DFW SAFF, which was conceptualized and created in 2015.
“We are so proud to create yet another platform for world-class independent cinema from India, Nepal, Pakistan, Bangladesh, Sri Lanka, Bhutan, Afghanistan and the Maldives,” said Jitin Hingorani, CEO/Principal of JINGO Media, a public relations company that launched in New York City in 2010. “We’re coming full circle with this festival because Manhattan is where it all began for us almost 10 years ago. We are certain that the community-at-large will embrace us and celebrate our joyous homecoming.”
NYC SAFF has also partnered with The India Center Foundation (ICF), a New York City-based nonprofit organization dedicated to the study of the Indian subcontinent, the promotion of its cultural life and the unique relationship between India and the United States. “To partner with NYC SAFF means that ICF is reaching the audience we wish to serve: contemporary, aware, woke desis and lovers of Indian and Diasporic creativity and storytelling. As a filmmaker whose film was so lovingly received at DFW SAFF, I know we are working with a staff who is dedicated and eager to give New Yorkers the film experience they deserve when it comes to screening South Asian cinema. We are looking forward to partnering on great conversations and panels around the films we see together,” said Priya Giri Desai, Founding Director of ICF.
Complete with an opening night red carpet , a curated set of film screenings and a closing night after party, this New York debut of an indie fest, is looking to leave you bruised with heartache, emotional bliss and a belly full of laughter, gasping for more. The first ever New York South Asian Film Festival promises one for the books!
It all goes down from November 15th though the 17th at The Altman Building. With the film screenings occurring throughout the weekend at AMC 34th street 14.
Diya TV is a proud media partner for the event, and will be onsite covering the fest. For tickets and information: https://www.nycsaff.com/tickets
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